Secret Tales About Anonymous Portraits

The Portrait Secrets Salon is the creation of Amy Walton. She has combined two of her favorite things, collecting anonymous portraits and story telling, thus creating an entertaining literary event that is packed with home spun culture.

She began collecting portraits years ago, finding them at flea markets, thrift stores and under random rocks. These anonymous paintings, drawings and photographs cover the walls of her living room and a few random strangers now adorning in her bedroom.

When asked about the portraits, Amy would reply "I don't know who they are, I simply like them".  Over time this response left Amy feeling flat. It didn't convey the playfulness and affection that she felt for her collection. So she decided to recruit a few friends flesh out her collection by asking them to write short histories about some of her portrait pals.

For her second gathering of the Portrait Secrets Salon, I was one of seven people who had the pleasure of giving voice to one of the canvas personalities. I recounted the story of Susan and the Plumbers Dilemma. A coming of age story with drama, passion, and trouble with the pipes. It surprised me how much fun it was to write this little narrative, to dabble in the romance genre just for a bit, and to create something that was simply fun.

Check out the Secret Lives Of Our Portraits website where showcasing some of the portraits and their stories. 

Drawing A Few Good Books

While teaching the Drawing Fundamentals class at CAC I used several books to help demonstrate the various elements of drawing. Since then a few people have asked for a list of those books, so here they are.

The War of Art, Steven Pressfield
Drawing On The Right Side Of The Brain, Betty Edwards
Cezanne and Pissarro Pioneering Modern Painting,  Joachim Pissarro
Cezanne In The Studio Still Life In Watercolors, Carol Armstrong
The Paintings Of Jakuchu, Money L. Hickman
Impressionist And The City Pissarro's Series Paintings, Richard R. Brettell
Vincent van Gogh Drawings and Watercolors, DMA publication 1967
An American Pulse: Lithographs of George Wesley Bellows, San Diego Museum of Art publication 1999
The Art Of Drawing, Bernard Chaet
American Drawing The 20th Centery, Paul Cummings
Daumier 1808-1879, National Gallery Of Canada publication 1999
Matisse Drawings and Sculpture, Prestel

TEDxSMU Auditions: Time is Ticking Away

When I signed up for the TEDxSMU Auditions it was the middle of August when the Texas heat was so intense you could fry up a whole chicken on the hood of your Ford truck.

Now it's October, I have survived, I have also realized I signed up and/or volunteered for things like a man soon to die. October has become an out of my comfort zone experience. This audition being what my Dad would call a personality growing experience.

So here it the ruff draft. I'll be one of 13 people presenting a 3 minute lecture on a topic of our own choosing. 4 judges and an audience pole will decide who goes on to present an extended lecture at TEDxSMU in December. Here is the itinerary. Thank god I"m not going last, but on the other hand most of my friends are well known for running late...

Brad Ford Smith                "What People Reach For When Things Fall Apart"

Christian Genco                "Outsource Your Brain: Why Everyone Needs to Learn How to Program."

Golbahar Dadyan             "Unlocking the Creative Genius: Living the Dream Circuit"

Jon Eric Fountain              "Follow My Heels"

Will Clarke                           "Seeing Through The Haze: Why Do We Haze?"

RJ Daum                               "Wild Mustangs, Wild Life"

Short Break- music

Sean Springer                    "Making Good Product: Inspirations, Sensations and Values"

Stacy Cherones                 "Make Cafeterias Complete"

Jasmin  Brand                    "What Ike Turner & Social Media Have in Common"

Belinda Baldwin                "The Power of You"

Darren Collins                    "Disaster Relief Housing: A Clown's Perspective"

There will be a short intro of each speaker- just name and talk title.

Each speaker will only have 3 minutes. Anyone that goes over 3 minutes will be pulled off the stage, but in a fun way :)

Doors open at 6:00 and we will begin the program at 7:00. We will have one short break with live music by Kerri Arista. She will also perform at the end while we are counting ballots and the judges deliberate. A winner will be announced that night.

We strongly urge any additional guests buy their ticket online since we will only be selling tickets at the door if we don’t sell out before. Ticket link: http://www.eventbrite.com/event/2042078913/mcivte

Loading The Kiln At CAC

The sculptures from the workshop I led at the Creative Arts Center are finally dry enough to load into the kiln. Glo Coalson has been teaching me the delicate art of firing large lumps of solid clay, AKA sculpture.

Looking down into the kiln, it kind of looks like a relaxing day at the spa, except the girls in this sauna are going to get unbelievable hot.

Playing In The Mud At The Dallas Arboretum

Being involved with the Creative Arts Center has opened up several unexpected opportunities to push my studio centric self out into the public eye. The latest example was at the Dallas Arboretum's annual art fair, ArtScope. It focuses on artisans like potters, wood turners and glass fusing-ists(?) About 100 artisan booths nestled among the blooming trees and flowers.

Anyway, DA asked CAC to send over a few art teachers to do art demonstrations, so here I am standing under the trees working on a clay bas-relief sculpture of the cafe gardens. 

I was out there for about 4 hours. I don't think the sculpture is the best I have done, but it was fun talking about making art, having my photo taken a lot, and handing out little balls of clay to all the kids.  A casual observer might think they were watching a sun burned Van Gogh feeding dirt to young children...

Next week it's off to North Park Mall for some speed sculpting at ARTsPARK.

When The Workshop Is Over

When the last person left the workshop at the Creative Arts Center, all I could think about was locking up, blowing the clay dust out of my nose and quenching my very dry throat with a glass of wine. I was exhausted.

In this workshop, we sculpted in clay from a live model. It's kind of like a figure drawing class except working in clay instead of charcoal and paper.

Because this was a free workshop, the participants felt that they had nothing to lose by take a chance on something new, which was the whole idea behind offering the workshop, although I was hoping it would draw a bigger crown from outside the CAC umbrella.

Here is the class room break down: 10 people signed up for the workshop, 2 of which didn't make it to class. Of the 8 attendees, 6 people had taken other classes at CAC, but no one had ever taken a figure sculpting class before. 6 had never worked from a live model, 6 had never worked with clay in any form, and 1 person was surprised to see a nude person standing in the middle of the room.

We worked from the same pose for the whole 3 hours. I was really happy to see how each person kept working and reworking their sculpture, dramatically changing it to refine the form as they began to really see what was in front of them.

Seeing, THAT is the first step to working from the figure. Seeing what you are really seeing and not working from what you think you know. It's hard, and it takes work and concentration to override your brains' constant insistence that it knows all the answers.

On Board the CADD Bus Tour

I would never dream of comparing myself to Julie McCoy on Love Boat, but after my experience as the Cruise Director for the first CADD Bus Tour I now know why she smiles so much. It is really fun to guide people through an adventure.

When Brian Gibb from The Public Trust asked me to be part of the CADD Bus Tour (Contemporary Art Dealers of Dallas), and was explaining that they needed someone on the bus to introduce each of the galleries and to help keep the bus on schedule, I was saying "Yes, This sounds like great fun" but I was thinking this sounds a lot like that TV show where they went on a tour, a 3 hour tour, and that turned out pretty badly.

Anyway, after saying yes, I hit the local websites and blogs to brush up on the galleries, artists and collectors that were on the tour. That was pretty easy because I always try to stay informed about local art and culture. What was difficult was the nights I spent dreaming about being on a bus filled with cannibals and a bus driver named Wrongway Feldman.

Eventually it was Saturday morning, I got up, channeled my inner Julie McCoy, drove over to Photos Do Not Bend Gallery, picked up my clipboard, and put on a smile.

The tour started at PDNB with coffee, donuts, and 3 photography exhibitions. I really enjoyed the iShow. But duty was calling, and it was time to get this crew of 25 art loving adventurers on the road. Our second gallery was in Oakcliff, at Mighty Fine Arts. The drawings on display by Erik Tosten turned out to be my favorite things on the tour, and I think some of the best work I have seen Erik produce.

Manet once said that art is best viewed on an empty stomach. That maybe true, but this bus was stopping by the studio/home of Brian Scott and Brian Jones for a little lunch.

The Library

A Cosy Fireplace

The interior of their small wood frame cottage was a feast for the eyes. Brian and Brian have been making and collecting art for a very long time, and they don't like keeping any of it in the closet. It was like walking into a 2 bed,1 bath art installation. It was full of color and humor. The culture clutter made for some insightful juxtapositions and great conversations.

After lunch, we drove back across the river to The Public Trust for a preview of the Blakely Dadson exhibit. There is an interview with Blakely in the October issue of Arts and Culture DFW. Brian Gibb gave out CADD gift bags and special edition t-shirts.

A few glasses of wine, and a quick drive through Hollywood Heights brought the CADD Bus to the home of Dee Mitchell. Dee is involved in multiple areas of culture. I know him best from his art reviews in the Dallas Morning News, Dallas Observer, and now at Arts and Culture DFW. If you Google his name, you will find several artists' websites that link to art reviews that Dee has written. He supports what he likes.

The Library

A Cosy Bedroom

Dee gave us a tour of the his home which Ron Wommack built to showcase Dee's art collection. The works on paper above the bed are by Thomas Nozkowski. I absolutely love them. On the bus ride back to PDNB, the contrast between Dee's collection and Brian and Brain's, generated lots of discussions about  collecting art, living with art, and personal styles.

As we pulled up to PDNB,  I asked for comments or recommendations about our first CADD Bus Tour. After a hardy applause, one person said they had a great time but wished the tour was longer. I pointed out that tour had lasted 4 hours and 15 minutes. Everyone was very surprised. When your having fun, time flies. Later, 2 couples said they were new to Dallas and that the tour was a great way for them to see galleries and meet other people interested in art.

After turning in my clipboard, I drove home with a big smile, opened a lovely bottle of Lexicon Malbec and raised a glass to the Dallas art scene, Rightway Charlie (our driver), and to a total absence of cannibals.

After the Art Salon Talk and Opening

It turned out that the TEDxSMU salon for the SculptCAD Rapid Artists exhibit sold out. The attendees were of very diverse back grounds. I think linking up with TEDx brought in an intellectual segment of the population that usually do not attend art openings.

As for the art talk, Nancy Hairston gave a strong powerpoint overview of the technical process. Shawn Smith then talked about developing his sculptural idea, followed by Heather Gorham with images of her sculpture being fleshed out. I presented last with a bit of babble about creating without touching. The acoustics in the One Arts Plaza lobby were so bad my voice bounced back at me in a foreign language. Thankfully for me and the audience I only had to talk for 5 minutes. Afterwords several people approached me with some great questions, so that was great.

TEDxSMU had an event photographer there, Sadly I didn't get her name, but when I do I'll post it. Anyway, her photos are now posted on the TEDxSMU Flickr site. Check them out.

TEDxSMU Salon and SculptCAD Rapid Artists Exhibit Opens tonight

As of last Saturday 140 people purchased tickets to the salon talk tonight. That's a pretty large group of people, and I must say more than I was expecting. It's 4 days later and the media has hit the wires, So now the event has changed from something fun to do, to something very serious. That means I now have to reconsider what I was going to wear as I give my portion of the art talk.  Of course when I start to think about it... what I am wearing is the least of my worries. I so hate the feeling I get just before I talk in public. But I know it's all going to be fun and I'll have a great time.

De Vinci in the Morning

The De Vinci After Dark party at the Fort Worth Museum of Science and History was a big success. The museum was expecting to have a total head count for the event of about 400 people. They sold that many online by that morning. So the unofficial head count was around 600 people. (I'll have to confirm that).

In these times when museums and historical societies are suffering serious cash flow problems, it's great to be part of an event that turns out way better than expected.

As part of the, Show and Tell, I guess you would call it, I had a table in one of the activity rooms where I worked on a sculpture based on one of De Vinci's drawings of street people. As you can see from the photo above I didn't get very far, people really asked lots of questions, and then asked questions about the questions they just asked. I not only talked up De Vinci and the FWMSH, but also community collage art programs, Trinity Ceramic Supplies, the finer points of working in clay, and art conservation just to name a few. I'm a little bit horse this morning, but it was a blast.

They'll be doing it again at the end of September.

An Evening with Da Vinci

My sculpture supplies are packed in the car, and I am just about to head over to the Fort Worth Museum of Science and History. The museum is hosting a Da Vinci After Dark party as part of their exhibit Leonardo da Vinci: Man, Inventor, Genius. There will be 2 bands, wine tastings, a cash bar, a couple of inventors and me working on a sculpture basted on some of Da Vinci's drawings.

This will be my first time to see the new building sense its completion earlier this year. I have heard lots of good things about it.

After the Flickring at the DMA

The Dallas Museum of Art Flickr group meet up today turned into a very nice roundtable of topics. We talked about the importance of putting titles on ALL of your photos, and how nice it is when there are descriptions too. Keeping things in titled SETS is a great way to keep the images organized by subject.

Tags are important, but there is still a mystery as to keeping the words in the tag separate: Dallas Museum of Art as opposed to dallasmuseumofart, which seems to be the Flickr tag default.

There was also some discussion about connecting and building a community on Flickr. Nicole from the DMA Flickr group and Stephen from Art and Seek talked about using Flickr as an extension of various cultural institutes.

Well, I did take notes so I could go on and on, but it seems that the best way to learn about Flickr is to use it, and to go to meet ups like the one at the DMA, or you might try DFW Area Meetup. Also the Dallas Camera Club.org.

Flickr meet up at the Dallas Museum of Art

DMA sculpture garden at sunset

I have been using a Flickr account for a few years now as an online portfolio. It has been working fairly well, no real complaints, but I know there is a lot more that I could do with it. So, with that in mind, Nicole Leigh leader of the Dallas Museum of Art Flickr Group and myself are hosting a Flickr meet up. 

We are inviting all local Flickr users to come down to the DMA Sunday July 11th at 2PM, for a coffee talk and laptop discussion about tips and tricks for making Flickr a better tool. With the free wifi at the DMA, everyone who brings their laptop will be able to pull up their sites, explore, and make changes in real time.

If the results of this event are positive, we might have another meet up next month. Let me know what you think... and, if you have a Flickr site send me a link.

Up Against the Pecha Kucha Clock

Several people have asked if I could post my Pecha Kucha Dallas presentation on line. So here it is, 20 slides, 20 seconds each. Pull out your stop watch and see if you can beat the PKN clock...

Tonight I'm taking you on a rambling journey of Flashbacks, Visual Connections, and Unintentional Concoctions.

Welcome to my slightly dyslexic world of Art-O-Vision.

When these Hummels came into the conservation studio, I was trying to quite smoking for the fifth time. They were coated in 30 years worth of second hand tar and nicotine. 

Sometimes when you make a tough decision, the world backs you up.

This pre-Columbian artifact was broken in half. Inside are fingerprints so clear that the FBI could use them for identification. 

This isn't a cold ceremonial artifact, it's a direct link to a once living person.

This is my childhood home. 

They say you can never go home again. 

Well, a few years ago I moved back into this house. So I can tell you from personal experience that it's much more surreal the second time around.

Every time I dig in the yard, I dig up toy guns, G. I. Joes, army men, and the tools that I borrowed from my Dad. 

Yeah, I'm just now returning them to the tool shed. Sorry it took so long Dad.

When I dug up this small ceramic turtle, suddenly it was the summer of 1966. I was 4 years old, sitting in the gravel driveway with the turtle in my mouth, squashing ants with a stick.

This is one of my Dad's paintings. It was in "deep storage" for over 40 years. 

When I pulled it out, I could see it hanging in our living room. I was just a tot, and I remember thinking it looked like fried eggs in outer space.

This is some of my work. A small work on paper, a lacquer panel, and a page of doodles, the kind you make while your listening to someone talk.

These were all done before I rediscovered Fried Eggs in Outer Space.

These abstract drawings were done for a show at Gray Matters. At the time, I was a senior art conservator, spending my days restoring gilded frames, chair legs, and drawer pulls.

In this project I photographed lots of buds and seeds. The photos were used as building blocks to generate the abstract shapes on top. So, those shapes would not exist without the information contained with in the photos below...

A few months later, I came across this almost direct photographic translation of one of the abstract shapes.

I spent a week at the Untitled ArtSpace in Oklahoma City producing a series of block prints that were totally non-representational.

It was all about creating PURE abstract shapes...

Yeah, apparently while I was up there in Oklahoma, I was channeling the creative spirit of the ceiling fan down here in my bedroom.

So much for purity.

Art Basel Miami! Developing Art-O-Vision. 

5 days of nonstop art viewing. 

On the first day, Damn I saw a lot of art! By the end of the fifth day, you have gone beyond burnout. Everything looks like art. 

I highly recommend it.

Vermont Studio Center, where each month a new batch of 50 neurotic, self absorbed artists and writers are let loose on the small northern town of Johnson Vermont.

I drew, painted, sculpted, photographed, shot videos, blogged, and talked Art Art Art 24/7.

It was very unnatural...

...Unlike making art in my studio at home.

All the distractions are actually part of the creative process. They allow ideas time to gel and ferment. 

SculptCAD Rapid Artists. I was 1 of 14 artists that spent 3 months learning how to create sculptures on a computer... 

The top row are the actual sculptures I created using the program. They're plastic resin sprayed with black velvet, so they are soft to the touch.

But I really like how the photos below have squashed the sculptures back into a 2D space.

This being my newest work, I really don't know what the epiphanies are yet. But with my niece graduating high school and my nephew graduating college, I assume they are about liver spots.

Thank You

Well, there you go. To much info, to little time, but a lot of fun to do.

All of the Pecha Kucha Dallas events have been held at small venues, Sons of Hermann being the biggest so far. The 150 seats at the last PKN Dallas, held at the Dallas Center for Architecture was sold out in just under 2 days. The small size of the audience makes each event feel like you are sharing something special with a bunch of friends. Of corse the small sized also means that a bunch of your friends have and will miss out on the event.

Pecha Kucha Dallas After Glow

Pecha Kucha Dallas was last night, 11 people gave their 20/20 presentations, and all of them were wonderful. Well, at least the ones I can remember. I was the 7th presenter that night, so I don't really recall to much before my turn, and then afterwards I spent some quality time breathing.  

With the 6.40 minute formate, the audience gets a good taste of what each presenter is like. The time also causes the presenters to talk quickly and precisely. This energy is picked up by everyone in the room, so the intermissions and after mingling is always rewarding. 

When I got up on stage, seemed like the first slide was over before I said hello. After that I just rambled on through to the end. I got some good laughs, can't remember what from, or if I even said half the stuff I had practiced. But it was GREAT fun. I'd do it again for sure.

Here is the list and links of presenters:

Nancy Rebal

David Hopkins

Jonathan Brown

Scott Horn

Brad Goldberg

Sean Springer

Tish Brewer

Edward Ruiz

Joyce Martin

Brad Ford Smith

Chris Arnold

Here is the tag to all my PKN vol. 3 postings

Inside Pecha Kucha

And here's a little press on the event:

Art and Seek

D Magazine

Shooting From The Hip

Joyce Martin Studio

AIA Dallas YAF

Pecha Kucha, Game Shows, Butterflies and My Lucky Turtle

Pecha Kucha, Who would have thought the combination of 6.4 minutes and an unpronounceable word would result in the trashing of so much paper and so few hours of sleep.

I have spoken in public quite a few times, and I have lead classes before too, but there is something about having to squeeze your ideas into a 20 second, 20 slides formate that has given me a bad case of butterflies.

One of my friends said I should think of it like being on a game show. That was a good idea at first, then realized that when simply asked for somebody's name, I will blank on all the names of all my closest friends as well as most of my family members.

Remember the game show Family Feud, where two families would compete to win big prizes? There was always one member of the family, Uncle Eugene, who would be doing the deer/headlight thing all the way through the program, then suddenly jump up at the last minute and shout Rutabagas!!! Thus destroying his families dreams of side by side washer and dryer for their communal mobile home back in Arkansas. That's me, everything except the Arkansas thing.

In Alan Alda's book Things I overheard while talking to myself, he says he could whip out a new story for MASH in just a few hours, but if asked to give a 10 minute speech at a graduation ceremony, he would agonize over every word for weeks. So perhaps that is good to know... perhaps not.

I think I'll take my lucky ceramic turtle with me for support.

Submitting to the Urge to Pecha Kucha

I sent in my Power Point to be formated for the up coming Pecha Kucha Dallas event. So that means I am going to be 1 of 11 people asked to present a 6 minute and 40 second presentation (that's 20 slides, 20 seconds each. Check out the links to get the whole idea). Here is a link to show you how to pronounce Pecha Kucha.

This will be the 3rd PKN Dallas 6/24/10. Each event has been held at a small donated venue. This time it will be at the Dallas Center for Architecture. The 150 seats sold out in just a day or two, so I didn't get the chance to notify my friends about it.

Each presenter is free to speaking about any topic as long as it stays within the time limits. With 4 artists, 2 art conservators, an architect, a furniture designer, a comic book writer, and a muralist, I assume the focus will be on art and creativity. But who knows, at the first event, one presenter spoke lovingly about his collection of Puma Sneakers.

I'll be rambling on about small personal epiphanies; moments of insight, clarification, and confirmation.  Rambling being the most accurate description in that last sentence. It has been fun sorting through old photos and memories to put together my 6.40 minutes of fame. It has also been weird seeing these moments organized and prepped for public display.

Hopefully I won't be the last one to be called up on stage.