I'll have several works on paper and a few sculptures nestled among the sophisticated contemporary furnishings at Santa Fe Modern.
Showing posts with label Galleries. Show all posts
Showing posts with label Galleries. Show all posts
Tuesday, September 5, 2017
Sunday, May 20, 2012
Debbie Ballard: Alter Ego at the Valley House Gallery
I went to the exhibit Debbie Ballard: Alter Ego (Resent Sculpture) at the Valley House Gallery expecting to see resent work based around some sort of alter ego narrative. Turns out, this show is not about an alter ego, or resent work. Instead, it's a straight forward survey of an accomplished sculptor's creative path over the last ten years. A sculptor who's works of art quietly depict those moments when interior thoughts become illustrated in the body's posture.
Sure, depictions of rage and anger are easy, that's not what Debbie is doing here. These figures are caught in those spaces where the outer world dissolves, as thoughts begin to fold back upon themselves. These figures sit, stand and sometimes congregate in poses that reflect a certain amount of self absorbed melancholia.
Yes, these sculptures do tap into my secret fondness for the Pre-Raphaelites, except here, Debbie has stripped them of all the flowers, tapestries and silken hair. What remains is very moody and modern.
The Vallie House has done a wonderful job of curating this show. The newest works are found in the main gallery space, along with some really wonderful drawings and sculpture studies. There a dozen more sculptures scattered throughout the 6 acre, heavily wooded sculpture garden. These works range from 1993 - 2012.
All combined, this exhibition is a wonderful and unique opportunity to see an artist develop. And to see a clear illustration of an artist thinking, reasoning and quietly showing the world who she is.
Sure, depictions of rage and anger are easy, that's not what Debbie is doing here. These figures are caught in those spaces where the outer world dissolves, as thoughts begin to fold back upon themselves. These figures sit, stand and sometimes congregate in poses that reflect a certain amount of self absorbed melancholia.
Yes, these sculptures do tap into my secret fondness for the Pre-Raphaelites, except here, Debbie has stripped them of all the flowers, tapestries and silken hair. What remains is very moody and modern.
The Vallie House has done a wonderful job of curating this show. The newest works are found in the main gallery space, along with some really wonderful drawings and sculpture studies. There a dozen more sculptures scattered throughout the 6 acre, heavily wooded sculpture garden. These works range from 1993 - 2012.
All combined, this exhibition is a wonderful and unique opportunity to see an artist develop. And to see a clear illustration of an artist thinking, reasoning and quietly showing the world who she is.
Sunday, April 10, 2011
Posting About The Art Fairs In Dallas On Art and Seek
This is a quick post. Still have more art to see before it's all gone. I've been posting about the Dallas Art Fair and the Suite Art Fair on Art and Seek.net. Here's the link to all those pages, plus my older posts on art go by.
I'll be blogging more about the art fairs on my blog soon.
I'll be blogging more about the art fairs on my blog soon.
Saturday, February 26, 2011
Hanging Up Out Of The Loop
Spent Saturday morning with CJ Miller hanging up artwork for Out Of The Loop at the WaterTower Theatre. CJ is showing large scale paintings on canvas, and I am showing works on paper and some new sculpture.
Saturday, January 1, 2011
Oh How the Arts Move Us Around and Around
It quickly becomes obvious how fluid the arts are when you start sending out Press Releases. Having gone through this process quite a few times, I have come to expect the "Failed To Deliver" E-mail responses. News papers, magazines, and online editorials have become a turnstile of writers and editors. Culture centers trade out employees as if they were sports teams.
I updated my contact list back in September while sending out Press Releases for the SculptCAD Rapid Artists show. It is now 4 months later, and I am doing the PR thing for the sculpture class I am teaching at the Creative Arts Center.
This time around, the Failed To Deliver E-mail responses reminded me of how many galleries are simply gone, and how many friends have moved on to other lines of work because of the continued downsizing of News Papers, Radio, TV, Museums, Non-profits, Schools, Historic Agencies, Government Supported Organizations...
It all makes me very concerned for the future of our culture and the long term loss of history.
So, I would like to send out a big THANK YOU to all the Cultural and Historic centric people out there that have worked so hard to promote and support the inspired side of human nature.
All the Best to each of you in 2011!
Brad
I updated my contact list back in September while sending out Press Releases for the SculptCAD Rapid Artists show. It is now 4 months later, and I am doing the PR thing for the sculpture class I am teaching at the Creative Arts Center.
This time around, the Failed To Deliver E-mail responses reminded me of how many galleries are simply gone, and how many friends have moved on to other lines of work because of the continued downsizing of News Papers, Radio, TV, Museums, Non-profits, Schools, Historic Agencies, Government Supported Organizations...
It all makes me very concerned for the future of our culture and the long term loss of history.
So, I would like to send out a big THANK YOU to all the Cultural and Historic centric people out there that have worked so hard to promote and support the inspired side of human nature.
All the Best to each of you in 2011!
Brad
Monday, October 11, 2010
On Board the CADD Bus Tour
I would never dream of comparing myself to Julie McCoy on Love Boat, but after my experience as the Cruise Director for the first CADD Bus Tour I now know why she smiles so much. It is really fun to guide people through an adventure.
When Brian Gibb from The Public Trust asked me to be part of the CADD Bus Tour (Contemporary Art Dealers of Dallas), and was explaining that they needed someone on the bus to introduce each of the galleries and to help keep the bus on schedule, I was saying "Yes, This sounds like great fun" but I was thinking this sounds a lot like that TV show where they went on a tour, a 3 hour tour, and that turned out pretty badly.
Anyway, after saying yes, I hit the local websites and blogs to brush up on the galleries, artists and collectors that were on the tour. That was pretty easy because I always try to stay informed about local art and culture. What was difficult was the nights I spent dreaming about being on a bus filled with cannibals and a bus driver named Wrongway Feldman.
Eventually it was Saturday morning, I got up, channeled my inner Julie McCoy, drove over to Photos Do Not Bend Gallery, picked up my clipboard, and put on a smile.
The tour started at PDNB with coffee, donuts, and 3 photography exhibitions. I really enjoyed the iShow. But duty was calling, and it was time to get this crew of 25 art loving adventurers on the road. Our second gallery was in Oakcliff, at Mighty Fine Arts. The drawings on display by Erik Tosten turned out to be my favorite things on the tour, and I think some of the best work I have seen Erik produce.
Manet once said that art is best viewed on an empty stomach. That maybe true, but this bus was stopping by the studio/home of Brian Scott and Brian Jones for a little lunch.
The Library
A Cosy Fireplace
The interior of their small wood frame cottage was a feast for the eyes. Brian and Brian have been making and collecting art for a very long time, and they don't like keeping any of it in the closet. It was like walking into a 2 bed,1 bath art installation. It was full of color and humor. The culture clutter made for some insightful juxtapositions and great conversations.After lunch, we drove back across the river to The Public Trust for a preview of the Blakely Dadson exhibit. There is an interview with Blakely in the October issue of Arts and Culture DFW. Brian Gibb gave out CADD gift bags and special edition t-shirts.
A few glasses of wine, and a quick drive through Hollywood Heights brought the CADD Bus to the home of Dee Mitchell. Dee is involved in multiple areas of culture. I know him best from his art reviews in the Dallas Morning News, Dallas Observer, and now at Arts and Culture DFW. If you Google his name, you will find several artists' websites that link to art reviews that Dee has written. He supports what he likes.
The Library
A Cosy Bedroom
Dee gave us a tour of the his home which Ron Wommack built to showcase Dee's art collection. The works on paper above the bed are by Thomas Nozkowski. I absolutely love them. On the bus ride back to PDNB, the contrast between Dee's collection and Brian and Brain's, generated lots of discussions about collecting art, living with art, and personal styles.
As we pulled up to PDNB, I asked for comments or recommendations about our first CADD Bus Tour. After a hardy applause, one person said they had a great time but wished the tour was longer. I pointed out that tour had lasted 4 hours and 15 minutes. Everyone was very surprised. When your having fun, time flies. Later, 2 couples said they were new to Dallas and that the tour was a great way for them to see galleries and meet other people interested in art.
After turning in my clipboard, I drove home with a big smile, opened a lovely bottle of Lexicon Malbec and raised a glass to the Dallas art scene, Rightway Charlie (our driver), and to a total absence of cannibals.
As we pulled up to PDNB, I asked for comments or recommendations about our first CADD Bus Tour. After a hardy applause, one person said they had a great time but wished the tour was longer. I pointed out that tour had lasted 4 hours and 15 minutes. Everyone was very surprised. When your having fun, time flies. Later, 2 couples said they were new to Dallas and that the tour was a great way for them to see galleries and meet other people interested in art.
After turning in my clipboard, I drove home with a big smile, opened a lovely bottle of Lexicon Malbec and raised a glass to the Dallas art scene, Rightway Charlie (our driver), and to a total absence of cannibals.
Tuesday, September 21, 2010
After the Art Salon Talk and Opening
It turned out that the TEDxSMU salon for the SculptCAD Rapid Artists exhibit sold out. The attendees were of very diverse back grounds. I think linking up with TEDx brought in an intellectual segment of the population that usually do not attend art openings.
As for the art talk, Nancy Hairston gave a strong powerpoint overview of the technical process. Shawn Smith then talked about developing his sculptural idea, followed by Heather Gorham with images of her sculpture being fleshed out. I presented last with a bit of babble about creating without touching. The acoustics in the One Arts Plaza lobby were so bad my voice bounced back at me in a foreign language. Thankfully for me and the audience I only had to talk for 5 minutes. Afterwords several people approached me with some great questions, so that was great.
TEDxSMU had an event photographer there, Sadly I didn't get her name, but when I do I'll post it. Anyway, her photos are now posted on the TEDxSMU Flickr site. Check them out.
As for the art talk, Nancy Hairston gave a strong powerpoint overview of the technical process. Shawn Smith then talked about developing his sculptural idea, followed by Heather Gorham with images of her sculpture being fleshed out. I presented last with a bit of babble about creating without touching. The acoustics in the One Arts Plaza lobby were so bad my voice bounced back at me in a foreign language. Thankfully for me and the audience I only had to talk for 5 minutes. Afterwords several people approached me with some great questions, so that was great.
TEDxSMU had an event photographer there, Sadly I didn't get her name, but when I do I'll post it. Anyway, her photos are now posted on the TEDxSMU Flickr site. Check them out.
Friday, March 5, 2010
It's Worth the Risk Parking
Alison Starr
It was on one of those cold rainy days that we are having so many of, when I turned the corner and saw the sign for Mokah Coffee Bar and Mokah Art Gallery. Cold, wet, needing hot coffee and a good dose of art I ambled inside.
No Parking Any Time is the title of the group show that is up through March 6th. Kathy Lova, Alison Starr and Du Chau have filled this surprisingly will put together gallery space with sculptures and wall installations that are derived from found objects.
Du Chau
Each artists is working with a source material that is commonly found in our everyday environment, such as sticks, stuffed animals or plastic shopping bags. These base materials have been transformed through various processes to become something new but still recognizable.
Kathy Lovas
This juxtaposition creates a wide variety of tactile sensations and narratives. Du Chau's porcelain tree branches convey nature's beauty and it's fragileness. Kathy Lovas' plastic rapped bunnies expose the scary interior of what we consider to be cute and cuddly. Alison Starr uses her sewing skills to transform pounds of plastic shopping bags into beautiful icons of mass consumerism.
So even though the card says No Parking Any Time, ignore that. Grab a hot cup of Joe and spend some time in the gallery.
Thursday, February 4, 2010
Dallas Art Fair posting on Art & Seek
I just posted an article about the second annual Dallas Art Fair on Art and Seek, click here. I am heading down there tomorrow to hopefully load up my eyeballs on some hot relevant artwork. Then I'll pop over to the new Art In The District 2010 art fair. Perhaps if I am lucky I will OD on art.
Thursday, January 14, 2010
David Bates at Dunn and Brown Contemporary
This was originally posted on Art and Seek in January 2010, but it seems to have been lost when they reformatted.
From this platform of art historical connections David Bates launches into a series of paintings that are thick with paint, rich with deep color, and bold with mark making. When all combined, this show of Themes and Variations is a strong must see for those who love oil paint.
I stopped in at Dunn and Brown Contemporary to see the new show by David Bates, Themes and Variation. Of the 24 paintings on view only 3 are not of flowers. So it's safe to say that this is a show of floral still lives. It is not breaking any new ground in the world of painting, in fact it is looking backwards into the history of painting, one of the things that David Bates does with skill and passion.
There are strong connections with the stone solid flowers of Marsden Hartley, Picasso's late decorative work, and Manet's paintings of cut flowers. All artists that demonstrate an obvious love for the medium of oil painting.
From this platform of art historical connections David Bates launches into a series of paintings that are thick with paint, rich with deep color, and bold with mark making. When all combined, this show of Themes and Variations is a strong must see for those who love oil paint.
Tuesday, June 2, 2009
On our way to VSC- Day 4 & 5
The 6 hour train ride to Boston was wonderful. Trains allow you to see the country and mentally realize that you are dramatically moving from one part of the world to another. Unlike airplanes that reduce travel down to it's most unbearable elements.
after saying that, once we stepped out of the Boston train station, I instantly lost my sense of direction, so we ended up walking a few more blocks to our hotel than we needed to.
Later that night we met up with a friend from Dallas who is finishing up his fellowship at Harvard. Wine, Tapas, and good conversations.
The next morning we hit China town, a few galleries such as Barbara Krakow -wonderful Terry Winters prints. and Judi Rotenberg Gallery -a wonderful show of works on paper. Then we walked around China Town. Dinner was just off the Paul Revere historic trail in the Italian part of town. Good wine, good bread, and calamari in a spicy tomato sauce.
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