Walking AND Looking

Most every artist will tell you that for them making art is way more important to than selling it or even exhibiting it. That the creation of each painting, drawing or sculpture is for the moment the most important thing they are doing, and if questioned further, they will admit that when completed, that work of art will be eclipsed by the next painting, drawing or sculpture.

Like it or not, I have to admit that's my studio practice in a nut shell. I have once again spent the year focused on crafting three art projects. Three really great, pushing my boundaries, all consuming art projects. They now languish as the top layer of the art pile. I am now starting on my next really great, boundary pushing, all consuming painting, drawing, or sculpture.

I have been walking through the woods so focused on each footstep that I am completely missing the forest. That by not spending the time and energy to get the artwork exhibited I will never really see what this path has to shown me.

With this in mind, I am sending in a proposal to the Lawndale Art Center, Applying for a grant from The Idea Fund, and once again applying for the artists residency at Artpace.

Shortlisted for the Artpace Artist in Residence Program

I received this letter from Artpace just before we left for Rome, and then it got berried in the accumulated pile of vacation mail so I am a bit late opening it up.  It says I have been Shortlisted for the Artpace Artist in Residence Program in San Antonio. And that there is a possibility that the Guest Curators will request a studio visit in the near future. So, I should clean the studio, or keep it the rat nest that it has become.

                                                          Studio with Mammoth Tusk


On another note, the Texas Biennial turned down my application with a We Regret to Inform You e-mail.  It would have been really cool to be a part of that event... I'll just add it to my stack of rejection notices from other organizations such as TEDxSMU, The Lawndale Art Center, The Drawing Center, The Idea Fund, Henderson Art Project, and don't forget the Texas Biennial 2007 and 2009, and Artpace 2007 and 2008.

Of coarse I have been accepted into several great art programs and art shows. I ramble on and on about each of them here on my blog. And don't think I am belly aching about getting rejection notices. It's all part of expanding beyond the studio walls. To be turned down by some of these organizations is something I sometimes wish I could put on my resume.

Wow, Mr. Smith, the quality of your rejections indicates that you would be an excellent candidate for our multi million dollar artist grant!