And The Idea Fund Grant Goes To...

This was my second time to apply for an Idea Fund grant. The first was in 2009, as a joint effort with Beam, Plank and Flitch, constructing 6 public wood benches made from urban harvested trees. That one missed because I think the judges thought it was to pedestrian and not art centric enough. Although sense that time Dallas has become over run by urban harvesters.

In 2011, I applied with the Automated Cordycep Project:

The Automated Cordycep Project is about playing with a narrative; it’s about combining sculpture, nature, and science, with a gorilla approach to exposing the public to a sci-fi narrative of near future disaster…

And the prize… went to somebody else. Actually 10 somebody elses. I looked over the list, and can say that on first glance, they all look like solid proposals. Each having a large friendly public component, which I think is where my project might have been lacking. Mine had public interaction, but more on the level of terrorizing large crowds with remote controlled cars infected with a parasitic fungus.

So. I’ll add this to the list of impressive art organizations that I have applied to but have not been accepted by. It is said that if you don’t get rejection notices, you’re not trying hard enough, which I do think is true, although I really do prefer the non-rejection notices.

Walking AND Looking

Most every artist will tell you that for them making art is way more important to than selling it or even exhibiting it. That the creation of each painting, drawing or sculpture is for the moment the most important thing they are doing, and if questioned further, they will admit that when completed, that work of art will be eclipsed by the next painting, drawing or sculpture.

Like it or not, I have to admit that's my studio practice in a nut shell. I have once again spent the year focused on crafting three art projects. Three really great, pushing my boundaries, all consuming art projects. They now languish as the top layer of the art pile. I am now starting on my next really great, boundary pushing, all consuming painting, drawing, or sculpture.

I have been walking through the woods so focused on each footstep that I am completely missing the forest. That by not spending the time and energy to get the artwork exhibited I will never really see what this path has to shown me.

With this in mind, I am sending in a proposal to the Lawndale Art Center, Applying for a grant from The Idea Fund, and once again applying for the artists residency at Artpace.