5 Preparations For A Successful Studio Visit

As you can see from the photograph, there are a lot of projects underway in the studio, which is great. It's like a cozy cave of self indulgence. But for the uninitiated visiter it's visual chaos, bordering on a  hoarder's hovel.

This week I have a studio visits lined up with Heyd Fontenot from CentralTrak. I personally reached out to him, asking if he would come by my studio to look at a few art projects. The focus of this visit will be on the World Of Nomadic Fungi, a joint project I'm doing with the Nomadic Fungi Institute.

Inviting someone to visit your studio is not to be taken lightly. You are asking them to go out of their way and spend their time indulging your need to have someone look at your artwork. You also have to keep in mind that your time with them is limited, somewhere between 1 and no longer than 2 hours. So, part of presenting yourself as a professional artist means having the artwork and the topics of discussion organized.

As a lot of you know, I spent last year cruising around on the Queasy Tugboat. This visit with Heyd is the first conversation I have had about my artwork with a respected art professional in quite sometime. I'll admit I'm having some anxiety and loosing a little sleep. To combat the jitters I made the following To Do List for myself:

1. Select/edit the artwork I want to focus on. Arrange it so that the visitor can see it without too much competing visual clutter. It should be mainly finished work, but a few works in progress mixed in is a good thing. The finished work is after all my product, what I will be showing to the public. And the works in progress show that I have new and exciting things coming up soon.

2. Decide what are the important topics I want to discuss. I am well aware that once I get started talking I can ramble on and on about art, art concepts, artists and the art world in general, and never get around to talking about MY artwork. So make a list that I can refer back to if/when we get too far off topic.

3. Next, I invited this person because they have skills and talents that are relative to what I am doing in the studio. So, create another list, this one focusing on their special skills and experiences. Make sure to incorporate this list into relative questions; You have experience working with alternative exhibit spaces, How do you approach people/businesses about setting up an exhibit in their space?

4. Talking is dry work, and listing sometimes requires a cool beverage to make things easier to swallow. Think about a gallery opening without wine and cheese. People simply don't linger when their hands are empty. Make sure there are beverages to offer;  wine, beer, lemonade, sparkling water.

5. Lastly, burn a CD with an up to date CV and good images of my artwork. Don't forget to give it to him before he leaves!

Well, looks like I have everything covered. I should sleep like a baby tonight.... Wait a minute,  I haven't even started cleaning up the studio!

Debbie Ballard: Alter Ego at the Valley House Gallery

I went to the exhibit Debbie Ballard: Alter Ego (Resent Sculpture) at the Valley House Gallery expecting to see resent work based around some sort of alter ego narrative. Turns out, this show is not about an alter ego, or resent work. Instead, it's a straight forward survey of an accomplished sculptor's creative path over the last ten years. A sculptor who's works of art quietly depict those moments when interior thoughts become illustrated in the body's posture.

Sure, depictions of rage and anger are easy, that's not what Debbie is doing here. These figures are caught in those spaces where the outer world dissolves, as thoughts begin to fold back upon themselves. These figures sit, stand and sometimes congregate in poses that reflect a certain amount of self absorbed melancholia.

Yes, these sculptures do tap into my secret fondness for the Pre-Raphaelites, except here, Debbie has stripped them of all the flowers, tapestries and silken hair. What remains is very moody and modern.

The Vallie House has done a wonderful job of curating this show. The newest works are found in the main gallery space, along with some really wonderful drawings and sculpture studies. There a dozen more sculptures scattered throughout the 6 acre, heavily wooded sculpture garden. These works range from 1993 - 2012.

All combined, this exhibition is a wonderful and unique opportunity to see an artist develop. And to see a clear illustration of an artist thinking, reasoning and quietly showing the world who she is.

Manet Mash Up

As I was driving to Sulfur Springs yesterday I started listening to the audio book The Judgement of Paris by Ross King. The story revolves around two artists, Ernest Meissonier and Edouard Manet. In the book it mentions that Manet used the figure of Adam from the Sistine Chapel in his painting Luncheon on the Grass.

So here I am, Sunday morning playing with photoshop to see how it looks. Then I came across the album cover for Bow Wow Wow's Go Wild in the Country, so I had to add Annabella Lwin in to the scene.

It's Worth the Risk Parking

Alison Starr

It was on one of those cold rainy days that we are having so many of, when I turned the corner and saw the sign for Mokah Coffee Bar and Mokah Art Gallery. Cold, wet, needing hot coffee and a good dose of art I ambled inside.

No Parking Any Time is the title of the group show that is up through March 6th. Kathy Lova, Alison Starr and Du Chau have filled this surprisingly will put together gallery space with sculptures and wall installations that are derived from found objects.

Du Chau

Each artists is working with a source material that is commonly found in our everyday environment, such as sticks, stuffed animals or plastic shopping bags. These base materials have been transformed through various processes to become something new but still recognizable.

Kathy Lovas

This juxtaposition creates a wide variety of tactile sensations and narratives. Du Chau's porcelain tree branches convey nature's beauty and it's fragileness. Kathy Lovas' plastic rapped bunnies expose the scary interior of what we consider to be cute and cuddly. Alison Starr uses her sewing skills to transform pounds of plastic shopping bags into beautiful icons of mass consumerism.

So even though the card says No Parking Any Time, ignore that. Grab a hot cup of Joe and spend some time in the gallery.

Marco Breuer speaks at SMU

I went to a wonderful lecture by Marco Breuer at SMU. I was not familiar with his work, but I heard that SMU was having some really good artist's lectures, so I went and discovered a really interesting artist. 

He works with photographic paper with out using a camera. Check out the link above to see his work.

Kitty Alice Snead at Janette Kennedy Gallery

Kitty Alice Snead, one of the best photographers in Texas is having a show at the Janette Kennedy Gallery. I wrote a review of the show for Art & Seek. Please note that the above photo has been cropped, but it gives you the flavor of her subject matter.

Kara Walker Has Spoken

I went to see Kara Walker talk. I took lots of notes so I could write about it for Art & Seek. I am glad I did because Ms. Walker was so scattered in her presentation it was hard to keep trace of the important topics. Check out the article.

Kara Walker Steps up

Kara Walker is giving a lecture at the  Modern art Museum of Fort Worth.  I posted a notice 

on Art & Seek.

Tonybones article on Art & Seek

Once again for the sake of art, I stayed up until the wee hours struggling with the english language in hopes of constructing a new article for Art & Seek. This time it is about the Tonybones show at the Public Trust.

Check it out, and let me know if there are any misspellings. 

Kara Walker Article For Art & Seek

I saw the Kara Walker exhibit at the Modern Art Museum of Fort Worth this past Sunday. It really was a suppressing and overwhelming show. I submitted a review of it to Art & Seek. If they post it like I'll make a link to it.

Marsden Hartley article for Art & Seek

 Art & Seek posted a review that I wrote of the Marsden Hartley exhibit at the Fort Worth's Amon Carter Museum. Art & Seek has asked several art professionals to write articles on various cultural events that are going on around town. 

The experience of seeing a show then writing about it reminded me of being back in college. I think it makes me look at things differently. And then to see it posted on their web site was fun but also weird.

Anyway, you can see the article by clicking Marsden Hartley.