First Steps To A Wall Installation

Here's a quick snapshot of a wall installation in the mud and plaster stage.

My sketchbook is getting filled with drawings of elongated forms that often have knobs, forks, and horns. I am turning some of these into small ceramic sculptures that will eventually be installed as a random scattering on a wall.

In the photo above, in the bottom left corner is an oil clay model on a 5"X 7" MDF panel. The white block next to it is a plaster mold cast from one of the oil clay models. Above that, to the left is a plaster mold filled with clay. Next, shows the extra clay cleared away from the mold surface. On the blue board are the clay sculptures after being removed from the molds. 

From here the sculptures go into the kiln to be bisque fired, then glazed, and then high fired. The ones that survive this torturous trial will become part of a large wall installation.

Aurora 2011: A Thing To See And Do

Water Walls Dallas Arboretum

I have felt for a while now that I should be spending less time at the computer. All those hours logged on has left me feeling a bit like a big wooden log. So, it's up early, a balanced breakfast, walkies, perhaps a bit of yard work, and get involved with a few art events to get me out of this damn house!!!

Aurora 2011 is one such event. This year it's being held in the Dallas Arts District. 97 light and sound installations will turn the 19 block area into a night of color. The big power switch will be flipped on this Friday, October 28th at 7:30pm-12:00 midnight. Here's the Art and Seek post.

Fountain Place Park Dallas TX

I missed being part of the Aurora 2010 because I was in Italy, which I enjoyed completely and blogged about maybe a bit to much. That said, I have been waiting all year for the next Aurora event. This time I am in town, busy at my computer spicing together bits of video... So much for getting out of the house, or the walkies, or the balanced breakfast.

White Rock Lake 2 AM

I am producing 2 videos that will be projected onto the west garden wall of the Meyerson Symphony Center. Both videos are about water. One is natural footage of ponds, streams and puddles as seen in the top 2 photos above. The other video uses the same footage and manipulates it by re-filming the clips multiple times to produce color separations and distortions, as seen in these bottom 2 photos.

Modern Art Museum of Fort Worth

This will be my first time to show any of these videos publicly. Very excited about it, and about seeing all the other installations, too!

Just Below the Skin comes to a close

Just below the Skin closes today. I'll start dismantling the installation and filling all those tiny nail holes on tuesday. The opening had a great turnout with Steve having to flick the lights at 9:30 to get people to leave. 

I am hoping that I will get another chance soon to install Just BElow the Skin in other locations. Because of the way this project is made, it would be a new experience in each new location. 

Just below the Skin a River Flows

I have a new wall installation in the Mighty Fine Arts Project Room. The opening is Feb 21st and it runs throw March 22.

This new project is basically a layman’s representation of the epidermis stratum (human skin). It is constructed using a stack of old watercolor paper, a pair of scissors, a hole punch, a color copier, some nails, a bit of string, and a 9 foot long wall. There is a complete artists statement at www.BradFordSmith.us.

Coming soon to the Mighty Fine Arts Project Room

JUST BELOW THE SKIN A RIVER FLOWS

A new installation by Brad Ford Smith at the Mighty Fine Arts Project Room.

February 21 – March 22, 2009

Reception 6-9 pm, February 21

This new project is basically a layman’s representation of the epidermis stratum (human skin). It is constructed using a stack of old watercolor paper, a pair of scissors, a hole puncher, a color copier, some nails, a bit of string, and a 9 foot long wall.

The project began when Veronica Tosten asked me to do an installation at Mighty Fine Arts. Instantly an image of a multi layered splattering popped into my head. Usually this sort of spontaneous imaging is just a reactionary response to a new project or material. Usually I enjoy the sensation and then dismiss the image as being a flashy, thin one-liner. But this time I wanted to explore what subconscious response created this image. What internal links were connected when this opportunity presented itself?          

This project also had the unique bonus in that I had three months to play with it before the installation date. This gave me and the image time to ferment, to spend equal amounts of time at the drafting table and in the backyard daydreaming. The image grew organically as it sifted through daily input…           

finding a stack of my father’s watercolor paper… sorting through the estate of an old dear friend… watching another friend cope with her second risky pregnancy… visualizing good health… discovering all my scissors dull and rusted… organizing 1000 Asian auction catalogs… flocks of grackles in the backyard, swarming of bees… body armor… fishing line… sanded wood… art lectures… art fairs… art blogging… coping with public dyslexia once again…

The result is a wall installation that is a hybrid of influences and experiences, a free association construct, a kind of diary portrayed in a low-tech, obsessive format.

It’s the continuous struggle that we all make just to keep inside of our own skin. 

Mighty Fine Arts 

419 N. Tyler Dallas, TX. 75208 

214-942-5241

Gallery hours 12 – 5 Saturday & Sunday

Desk Top Drawings Phase 3

I just finished the last drawing for Desk Top Drawings Phase 3. This is a series of drawings on photos that began as doodles on my work desk. So Phase 1 is photographs of the doodles on the work desk. Phase 2 is photos of the doodles that I have drawn on top of. Phase 3 is photos of phase 2 that I have drawn on top of again. Next I'll start phase 4, drawings on top of a photo of a photo of a photo of a photo.

This is a very simple system, but in practice it combines the process of redefining an image while the image is being degraded by photographic reproduction.

For more info on this project go to www.BradFordSmith.us

So... what the hell comes down.

So... Today was the last day of the show. I spent it packing up art work and sending the work that sold to it’s new homes.

This has been a really great event for me. The Janette Kennedy gallery is organized so that the artist is in charge of all most every aspect of putting a show together. And I must admit that it was a lot more work than I thought. Just organizing and sending out the press releases was quite a task. In the future I will be much more thankful for all the hard work that gallery owners put into an art exhibit.