When The Workshop Is Over

When the last person left the workshop at the Creative Arts Center, all I could think about was locking up, blowing the clay dust out of my nose and quenching my very dry throat with a glass of wine. I was exhausted.

In this workshop, we sculpted in clay from a live model. It's kind of like a figure drawing class except working in clay instead of charcoal and paper.

Because this was a free workshop, the participants felt that they had nothing to lose by take a chance on something new, which was the whole idea behind offering the workshop, although I was hoping it would draw a bigger crown from outside the CAC umbrella.

Here is the class room break down: 10 people signed up for the workshop, 2 of which didn't make it to class. Of the 8 attendees, 6 people had taken other classes at CAC, but no one had ever taken a figure sculpting class before. 6 had never worked from a live model, 6 had never worked with clay in any form, and 1 person was surprised to see a nude person standing in the middle of the room.

We worked from the same pose for the whole 3 hours. I was really happy to see how each person kept working and reworking their sculpture, dramatically changing it to refine the form as they began to really see what was in front of them.

Seeing, THAT is the first step to working from the figure. Seeing what you are really seeing and not working from what you think you know. It's hard, and it takes work and concentration to override your brains' constant insistence that it knows all the answers.

Out Of The Loop Fringe Festival Opening Night

It was a great turn out for the Out Of The Loop Fringe Festival opening night party, and art exhibition. I walked in and shook a few hands before making my way up stairs to where the food and apparently most of the local theatre critics were hanging out. Anne Bothwell from Art And Seek introduced me to Mark Lowry from Theatre Jones. We then proceeded to recount dramatic tails of live theatre from seasons past.

Eventually I realized how late it was getting, and that I had not taken a single photo. So here are 2 from the blurry dozen that I took.

Fortunately the WaterTower blog has posted a very nice photo of CJ Miller and I standing with the Producing Artistic Director Terry Martin.

Sketchbook Project 2011 Hits The Road

The reports are that the opening for the Arthouse Co-op Sketchbook Project 2011 at the Brooklyn Art Library was a big success.  There were over 28000 artist signed up to create a 40 page moleskin sketchbook. I don't have the final numbers yet, but if even half for the artists followed through on this project, that's still 14000 sketchbooks. Arthouse Co-op has created a web page for each of the participating artists. Here's the link to my page, which also has links to some of the artists that I like. There is also a very nice Arthouse Co-op blog too.

But the project doesn't stop there! The small staff at Arthouse Co-op are now boxing up all the sketchbooks and shelves into a moving van, and taking the project on a 9 stop tour across the United States, which includs a stop at the Austin Museum Of Art, March 12 (During the SXSW Festival) in Austin TX.

 

Getting Ready For The Thursday Night Workshop

With the workshop just 24 hours away, I spent some time in the clay sculpture studio at CAC looking over supplies and thinking about how to pose the model we will be working from.

Glo Coalson was there teaching a make up class because of the snow storm a few weeks ago.  We had a great conversation about figure sculpture, and hit upon the idea of the two of us hosting a sculpture restoration workshop some time this summer.

Workshop, The Expressive Figure in Clay

I was going to send out a notice about the free figurative clay workshop that I am leading at the Creative Arts Center, but it has already filled up. YEAH! Thank god. My nerves hate spending time in limbo. Give me the stress of deadlines, due dates and real problems any day. Worrying about things like missing a airplane flight or if an art class is going to make or not, drives me crazy!


Anyway, if sculpting from the figure sounds interesting to you, the Spring classes at CAC start on March 7th. Still plenty of time to register. I'll be teaching The Expressive Figure in Clay on Thursday nights and possibly Thursday mornings, too. 


Here's the class description:


The Expressive Figure In Clay
During this live model sculpting class, students will explore expressive ways of capturing the figure in clay. The basics of human proportion, sculptural form and the physicality of clay will be highlighted, but the focus on the class will be creating a personal artistic voice. We will explore slow and rapid ways of describing the figure in clay, from drawing on slabs to bas relief to free standing sculptures. This class is open to all skill levels. First day of class, bring any sort of tools or utensils that can manipulate or poke clay. 


Thursdays, March 10- April 12th 6:30 -9:30 pm
And possibly Thursday mornings 9:30am- 12:30pm

Hanging Up Out Of The Loop

Spent Saturday morning with CJ Miller hanging up artwork for Out Of The Loop at the WaterTower Theatre.  CJ is showing large scale paintings on canvas, and I am showing works on paper and some new sculpture.

In The Studio - Out Of The Loop

There is nothing like having a dead line to encourage spending quality time in the studio. The stimulus this time is an exhibition with CJ Miller as part of the Out Of The Loop Fringe Festival. This festival is held at the WaterTower Theatre. Here's a short snip of PR:

March 3-13, 2011

For the past nine years, WaterTower Theatre’s Out of the Loop Fringe Festival has wowed audiences with an exciting and unmatched artistic lineup. Featuring some of the best acts in theatre, music, dance and art from around the region, OOTL continues to bring all three spaces of the Addison Theatre Centre alive with exciting, contemporary work.

Out of the Loop Festival Passes are on sale now. Call the box office for more information.

With 59 performances in 10 days you can see that OOTL focuses on live performances, with Chris and I simply adding a bit of color to the lobby walls. Last year, OOTL drew 4000 people, so even though it is a short run, there's a lot of eyeballs mingling around in the lobby.

The photo is of a few plaster sculptures I have been working on. I'll have 5 of them finished up for the show.