There's Trouble In The Wires, Issues With Blog Delivery Using Google Friend Connect

I have been blogging for over 2 years now. Soon I'll be posting my 150th blog post! My blog is admittedly, very much a Brad Centric point of view. I write about my experiences in the art world, and about the art that makes me think.

Several people are now following my blog using various follow apps. And that's really what this posting is all about. I have found that the Google Friend Connect app has BIG issues with delivering posts to the people who have signed up using that formate. Over half of the "Members" have never received one blog post.

So, I am going to stop using the Google Friend Connect just as soon as I contact all of my followers who are using that app. Please note that this is a very popular Follow app. So, if you are a blogger you should check your follow feed. And if you are one of those wonderful people that has signed up to follow a blog, double check to see if you are getting all the posts that blog is sending out.

Oh How the Arts Move Us Around and Around

It quickly becomes obvious how fluid the arts are when you start sending out Press Releases. Having gone through this process quite a few times, I have come to expect the "Failed To Deliver" E-mail responses. News papers, magazines, and online editorials have become a turnstile of writers and editors. Culture centers trade out employees as if they were sports teams.

I updated my contact list back in September while sending out Press Releases for the SculptCAD Rapid Artists show. It is now 4 months later, and I am doing the PR thing for the sculpture class I am teaching at the Creative Arts Center.

This time around, the Failed To Deliver E-mail responses reminded me of how many galleries are simply gone, and how many friends have moved on to other lines of work because of the continued downsizing of News Papers, Radio, TV, Museums, Non-profits, Schools, Historic Agencies, Government Supported Organizations...

It all makes me very concerned for the future of our culture and the long term loss of history.

So, I would like to send out a big THANK YOU to all the Cultural and Historic centric people out there that have worked so hard to promote and support the inspired side of human nature.

All the Best to each of you in 2011!
Brad

Rome, Bits and Pieces of History: Survey #3

It didn't take me long to realize that beneath every step I made in Rome, I was walking on top of history. The Roman Forum is one of the more famous historic holes dug around the city, a city that is passionately linked to the history buried under its feet...

or incorporated into its buildings (Theater of Marcellus)...

or simply given right of way because it was there first. This respect for the past is because modern Rome knows that the dirt and stones they walk on are the embodiment of tradition and family.

This respect leads to the preservation of ancient fragments no mater where it might be found. Midway up a wall in the sub-basement of the Capitoline Museum or...

as a subterranean window boxes in a Metropolitana station.

Shortlisted for the Artpace Artist in Residence Program

I received this letter from Artpace just before we left for Rome, and then it got berried in the accumulated pile of vacation mail so I am a bit late opening it up.  It says I have been Shortlisted for the Artpace Artist in Residence Program in San Antonio. And that there is a possibility that the Guest Curators will request a studio visit in the near future. So, I should clean the studio, or keep it the rat nest that it has become.

                                                          Studio with Mammoth Tusk


On another note, the Texas Biennial turned down my application with a We Regret to Inform You e-mail.  It would have been really cool to be a part of that event... I'll just add it to my stack of rejection notices from other organizations such as TEDxSMU, The Lawndale Art Center, The Drawing Center, The Idea Fund, Henderson Art Project, and don't forget the Texas Biennial 2007 and 2009, and Artpace 2007 and 2008.

Of coarse I have been accepted into several great art programs and art shows. I ramble on and on about each of them here on my blog. And don't think I am belly aching about getting rejection notices. It's all part of expanding beyond the studio walls. To be turned down by some of these organizations is something I sometimes wish I could put on my resume.

Wow, Mr. Smith, the quality of your rejections indicates that you would be an excellent candidate for our multi million dollar artist grant!

Rome Art, Sculpture and Food: Survey #2

I get the feeling that every trip to Rome could result in the creation of a travel book on art, history, and food. I know I filled up a moleskin with drawings and notes. Brought home a few pounds of post cards and magazines. And I still haven't finished sorting out the hundreds of photos.

So to help me get a handle on some of this information I'll be posting some thoughts and photos over the next few days on things that stand out for no obvious reason.

These photos are from the Capitoline Museum. The first 2 are marble fragments from the colossal sculpture of Emperor Constantine the 2nd. I've wanted to see these detached body parts since I was a little kid. Next is a giant bronze hand, also of Mr. Constantine. 

These are just some of the large sculpture fragments I saw scattered across Rome. It just goes to show, if you make it really big and flashy, future generations may only remember you by the sized of your toenails.

A New Class to Teach

I recieved the CAC catalogue in the mail today, and there, in black and white is the listing for the sculpture class that I will this teaching in January.

It's a figurative sculpture class that works from a live model. It's just like a figure drawing class, but I think that working in clay from a model is much easier than drawing. For one thing you aren't started off with that old tired mind set "I can't even draw a straight line". You also don't have to learn how to translate a 3 dimensional world into 2 dimensional pencil marks. All you do is make this round piece of clay look like that round piece of person. That is of course an over simplification for demonstration prepossess.

Anyway, as you can guess, if the class makes, I'll be blogging about sculpture a lot in the next few months. The name of the class is The Expressive Figure in Clay, and you can click HERE for more info on the class.

Rome: A Quivering Woman and Monk Bones: Survey #1

We arrived in Rome with only the normal inconvenience of having the live on air plan food for 7 hours. We have a small apartment not far from the Spanish Steps, and not far from a small moldy church that happens to be where Bernini's Ecstasy of St. Taresa is located.

And around the corner is the Cappuchin Crypt. I got a big snort full of moldy bone dust but no photos. A lot of the churches don't allow photos, but they have post cards for sell, which are better quality than anything I can snap with my dime store digital.

Tomorrow,  good food and the Roman Forum.