Shout Outs and Link Love

One of my favorite resources for art information in the Dallas Fort Worth area is Art and Seek. On Thursday they posted a short article which included a shout out to my blog! The post also noted 2 other local art blogs Art This Week and This Week In The Arts, both of which I highly recommend, and are now listed on my Blogville Link List.

In honor of Art and Seek spreading the link love, I am highlighting 2 Texas artists from my Artists of Note list. Each have created wonderful sites.

Brad Tucker - His site begins with a standard artists website title page, but as you dig into it, you realized he is having lots and lots of fun making all kinds of wonderful things.

Tracy Hicks- It starts with frogs in jars, but it is so much more than that. This is a wonderful collection of art. Really beautiful to look at and think about.

Also in the spirit of supporting artists, bloggers and online art magazines in my own small way, I am creating a page on my blog that is dedicated to cultural linkage. So stay tuned for that.

Thanks again to Art and Seek. You Rock.

Manet Mash Up

As I was driving to Sulfur Springs yesterday I started listening to the audio book The Judgement of Paris by Ross King. The story revolves around two artists, Ernest Meissonier and Edouard Manet. In the book it mentions that Manet used the figure of Adam from the Sistine Chapel in his painting Luncheon on the Grass.

So here I am, Sunday morning playing with photoshop to see how it looks. Then I came across the album cover for Bow Wow Wow's Go Wild in the Country, so I had to add Annabella Lwin in to the scene.

Putting a Name to the Photographs

I mentioned in the last post that TEDxSMU had a really good photographer at the TEDxSMU salon SculptCad Rapid Artists exhibit. I just found out it was Kim Ritzenthler. Here is the link to her website and the link to the TEDxSMU flickr page.

Thanks Kim for catching the moment.

After the Art Salon Talk and Opening

It turned out that the TEDxSMU salon for the SculptCAD Rapid Artists exhibit sold out. The attendees were of very diverse back grounds. I think linking up with TEDx brought in an intellectual segment of the population that usually do not attend art openings.

As for the art talk, Nancy Hairston gave a strong powerpoint overview of the technical process. Shawn Smith then talked about developing his sculptural idea, followed by Heather Gorham with images of her sculpture being fleshed out. I presented last with a bit of babble about creating without touching. The acoustics in the One Arts Plaza lobby were so bad my voice bounced back at me in a foreign language. Thankfully for me and the audience I only had to talk for 5 minutes. Afterwords several people approached me with some great questions, so that was great.

TEDxSMU had an event photographer there, Sadly I didn't get her name, but when I do I'll post it. Anyway, her photos are now posted on the TEDxSMU Flickr site. Check them out.

TEDxSMU Salon and SculptCAD Rapid Artists Exhibit Opens tonight

As of last Saturday 140 people purchased tickets to the salon talk tonight. That's a pretty large group of people, and I must say more than I was expecting. It's 4 days later and the media has hit the wires, So now the event has changed from something fun to do, to something very serious. That means I now have to reconsider what I was going to wear as I give my portion of the art talk.  Of course when I start to think about it... what I am wearing is the least of my worries. I so hate the feeling I get just before I talk in public. But I know it's all going to be fun and I'll have a great time.

The Nature Of Sketchbooks

My use of sketchbooks began with a journal in high school. Journaling was a way to sort out and examine all the unexplainable actions and reactions that occur while coexisting in a building filled with hormone driven teenagers. Over the years my artwork and my journals have merged, resulting in sketchbooks filled with images that are maps through a world that still seems to be driven by questionable actions and reactions.

For a long time I used my sketchbooks as a kind of petridish, place to compose my thoughts and images, and then transfer that information to an outside medium such as painting or sculpture. Two things occur by doing this, first there is a shift from the reactionary thought process to the mechanical mind, a change from what do I think about this, to how do I reproduce this. Secondly, processing the imagery remove some of the personal baggage associated with that imagery. This makes the artwork more comfortable to display in public

The sketchbooks have a symbiotic relationship. I work in multiple sketchbooks at the same time. Some of them I have been reexamining and reworking for years. Others seem to fill up over night. All of them feed from each other to expose new possible relationships and directions.

There is a rawness inside the sketchbooks that is related to the subconscious grittiness of reactionary thought. Because of the imperfections and flaws associated with this rawness, the sketchbooks have always been held back from public viewing, but I have come to realize that this rawness also conveys an honesty and truth that is after all the foundation to all great art. 

A Museum in the Dark

Segal and Me

Once a month the Nasher Sculpture Center stays open until midnight. They have all kinds of things happening after dark like movie screenings, live concerts, guided tours...

Burton Chairs in Moonlight

...But what I like best is that it gives me the opportunity to see some of my favorite sculptures literally in a new light.

Night Time Boolean 

Of course I just play at taking photos. The subdued lighting in the sculpture garden results in mostly blurry grainy images, but I like the way that shifts my perspective.

Water Works

There is also the James Turrel "Skyspace" which I didn't photograph. If you have never gazed up through that square hole at the night sky, you have miss out on a psychedelic experience.