Art Statement for SculpCAD Rapid Artists program

With access to the Rapid Cad technology and its incredible array of tools and casting mediums, I instantly had visions of producing my very own version of the “Homer”, a car designed by Homer Simpson that was so outlandishly stuffed with add-ons that it caused the finial collapse of Powell Motors.

So, with that in mind, I have tried to focus on learning how the Rapid Cad program works, and how to blind this technology with my own artistic direction, resulting in a sculpture that breaks new ground and makes historical sense. I have of course spent a lot of time just playing; this program seems to encourage that sort of “what if I do this” activity. In the end I have slipped the Rapid Cad into my normal creative process, which begins with lots of drawing on paper, those are then reprocessed and reprocessed to create a composite drawing “Chicken Neck Johnson”. This drawing is scanned onto the Rapid Cad desktop, where it is fleshed out, manipulated, and reprocessed. The resulting 18” X 18” X 6” sculpture is a composite of shapes that I love working with, plus a humorous animal reference, which I credit to the playful, toy making aspects of the Rapid Cad program.

The sculpture is made from an almost transparent red plastic. The Rapid Cad program has allowed me to shell the sculpture so that it is hollow and very light. The walls vary in thickness, which causes the red color to become more intense in the areas where the plastic is thicker and almost water clear where the walls are thinner. The shelling process has also allowed me to create a bottom heavy counter balance, which allows the neck and head to be extend in an giraffe like appearance with an almost transparent head.

The Privet Sculpture Project: Cutting Research

This is the edge of a native grass field that has never been plowed. It is slowly being overrun but a tidal wave of privet.

Anne Albagli and I went out to La Reunion Tx today. It was again damp, muddy and slick, but after whacking away at privet for an hour, the cold damp didn't feel so bad.

I brought along a cornucopia of saws, hedge clippers, and hatchets to test out. Branch trimmers work the best for anything smaller than an inch in diameter. Bigger than that you need a pull saw. Those come in lots of shapes and teeth counts. Lots of teeth seem to work the best. The privet is to wiggly for a standard push saw or an axe to efficiently cut lots of privet. I did notice areas where people had used a chainsaw. Agin the wiggliness of the branches resulted in heavily splinter stumps.

Art in the District 2010: posting on Art Seek

Posted a little blurb about the Art In The District 2010 art fair on Art and Seek. Just hoping to get the word out a bit more.

I really feel like the local/Texas media coverage for this art fair and the Dallas Art Fair, which by the way ran full page adds in Art in America and Art News for the last two months, was severely lacking. After the grand opening events for the two new performance centers in the Dallas Arts District a few months ago, you would think having 56 nationally recognized galleries set up camp across the street from the DMA would cause some buzz with the Art District crowd...

Dallas Art Fair posting on Art & Seek

I just posted an article about the second annual Dallas Art Fair on Art and Seek, click here. I am heading down there tomorrow to hopefully load up my eyeballs on some hot relevant artwork. Then I'll pop over to the new Art In The District 2010 art fair. Perhaps if I am lucky I will OD on art.

Make Space: Installation meet up at La Reunion TX

Old road almost swallowed up by privet

A good portion of the artists for this years Make Space: Installation met up at La Reunion Tx to scout out locations and inspirations for their installation projects. It was thick with slippery mud but other wise a very nice day.

Sarah Jane introduced me to Shreyas Krishnan, who describes himself as an ecologist with an interest in how invasive plants effect the natural evolution of amphibians and retiles. Of course I was very happy to hear about the invasive plant interest. I am hoping to include some of his knowledge in the documentation on the Privet Sculpture Project.

Two of the other artists, Anne Albagli and Nicle Cullum Horn are using privet in some form in their installations, so I'll be posting about some of their experiences here, too.

SculptCAD Rapid Artists role call

Here are the links to the artists that are involved in the SculpCAD Rapid Artist Program being sponsored by SculpCAD. Nancy selected a group of artists that work in a wide range of styles, mediums and disciplines to see what artists would do with a 3-D computer sculpting tool that is normally used by draftsmen to design medical implants and consumer good like tennis shoes.

• Brad Ford Smith
  
• Dave VanNess
  
• Jay Sullivan
  
• Erica Larkin
  
• Heather Ezell
  
• Ginger Fox
  
• Heather Gorham
  
• Katherine Batiste
  
• Mark Grote
  
• Shawn Smith
  
• Tom Lauerman
  
• Bert Scherbarth
  
• Nancy Hairston
  
• Shane Pennington

More Local Privet Problems

Seems like as soon as I submitted my Privet Sculpture proposal to La Reunion privet started coming out of my ears.

Lots of people like Shreyas Krishnan and organizations like the Texas Master Naturalists are very passionate about privet. Shreyas sent in this link to an article in the Dallas Morning News about the problems of removing privet from the Great Trinity Forest, (video by Scott Miller) Texas Invasives.org is actually creating a map that tracks the spread of privet across Texas.