David Kirkpatrick is blogging about the SculptCAD Rapid Artists Project

The freelance writer and journalist David Kirkpatrick has been posting about the SculptCAD Rapid Artists project on his WordPress blog. His blog is very well developed with posts going back to Jan.2008. Topics include Arts, Business, Politics, and Technology. Some of the recent posting are on the topics of Invisibility Cloaks, Google in China, and iPads. There is also a nice list of other blogs and web sites of interest.

Art & Seek drops in to talk with the ScultpCAD Rapid Artists

Shane Pennington talking with Jerome Weeks from KERA/Art & Seek

Reporter Jerome Weeks from KERA/Art & Seek dropped by the SculptCAD studio to talk with some of the artists involved in the SculptCAD Rapid Artists project. He was there for over 2 hours patiently recording the techno geek terminology and the arty babble. Hopefully he got enough intelligent, understanable dialoge to post something on Art & Seek.

On a side note, I think all the artists benefited from having to put into words what they have been doing in the world of 3D computer modeling.

The Twisted world of 3D sculpting

This opportunity to work with the SculptCAD Radip Artists has been great. I am really getting comfortable using the few tools that I have chosen to focus on, and not hitting myself over the head for not knowing more about ALL the tools at hand. When I see people like Nancy Hairston or Heather Gorham work with this program, they just pull out tools, whip them around and wallah! It makes me yearn to have more time to play, but the Drop Dead due date for sending our sculptures to the printer is April 14th.

Developing a feel for the 3D world

In the real world, your clay never just disappears. But in the 3 D computer world, your hard work can just simply vanish, which is what happened today. Of the 3 hours I put into my project, I only have about 15 minutes of work to show for it. GRRR!

On the other hand my feel for using the sculpting tool is starting to feel much more like reallish sculpting.

Make Space: Installation/Open House at La Reunion TX 2010

Brad Ford Smith

It was a beautiful blue sky, puffy cloud day, perfect for the Make Space: installation event at La Reunion TX. I got up there early to do a few finishing bits to my sculpture and clean up around the site. Then I spent the rest of the day talking to people, petting dogs, and enjoying the sun shine.

Below are photos of some of the sculptures made by the other artists for this years event. If the names are high lighted they link to the artist's web site.

Anne Albagli

David Blood and Oliver Bradley

Scott Horn

Nicole Horn

Kevin Obregon

Unfortunately I did not get a photo of Sandra Groomer's installation, but there should be some posted at the La Reunion TX site soon.

Privet Sculpture Project Construction Day 3

All the arches are in place, 12 in all, spanning 40 feet. Sadly, the photographs really don't capture it very well at all.

I'll be out there early on Saturday, Open House 2-4 to add a few elements around the main arch.

These are the flying buttresses that were added for stability. The privet when freshly cut is very bendable. Only a few branches broke during construction. As the wood dries is becomes harder and more apt to brake and split. Over all the structure is very stable. I am expecting the wood to weather very well over it's year long existence. The bailing wire might be an issue with rust, so I'll beef that up on Saturday.

Privet Sculpture Project Construction Day 2

Despite the cold and rain, things are progressing. 4 1/2 of the 7 arches are in place. They need to be tweaked and fattened up a bit. I am also adding some side arches at the gate opening for stability.

The bundles are tied together with bailing wire, which was donated to the project by Susan Giller, an artist that is known to create strange bunny people with wire.

Privet does not have stickers in the normal definition of the word. What it has are numerous pointy bits along the branches that are the stubs of old dead twigs. These twigs can be very sharp.

A few days working at SculptCAD

I have been working with the Free Form program for a couple of days now, mostly focusing on making the duck that is part of the tutorial, but I have learned enough to generate this first 3 D model of my sculpture "Chicken Neck Johnson" for the SculptCAD Rapid Artists project. It still needs a lot of work before it is ready to be put through the 3 D printer.

At the End of the First Day of Construction on the Privet Sculpture Project

At the end of the first day of construction I learned that not all privet can be used the same. If the branch has any elbows it won't bend smoothly. The long shoots that grow straight up in one season are ideal for the ridged bundled arches that the PSP requires.

First Stake in the Ground for the Privet Sculpture Project

The structure will be staked to the ground using thick privet branches. It will be interesting to see what condition they are in after a year in the dirt. The dirt at this location is on about 10" deep then you hit lime stone, which is the reason this area is called Chalk Hill. The photo also shows some of the long privet branches that have been harvested to create the arched structure.

Location for the Privet Sculpture Project

The opening for Make Space: Installation at La Reunion TX is this Saturday, Feb. 27th. With all the rain and snow it has been hard for any of the artists to get out there, but I do have my sculpture sited now, and I have started the framing out of the structure. Above is the concept drawing superimposed at the site.

There has been some interesting issues around using privet as a building material, I'll blog about that later. Right now I need to get into my muddy boots and rain coat, pack up the truck and head out to La Reunion TX.

The Beam Plank & Flitch proposal for the Henderson Art Project

This is one of three Urban Timber Sculptures that Beam Plank And Flitch submitted to the Henderson Art Project. We focused on a minimalist approach that strikes a balance between the natural form and texture of the tree trunks and a graphic subtractive sculpture.

Privet, Basic Structure and Seed Distribution

The structure and seed zones of privet

Privet growing in the wild sends out branches from a central root ball. It has corresponding small branches that sprout along the main branch. As the main branch grows longer it bends, making an arch. The small branches on the top of the arch grow towards the sun light while the branches on the underside dry up and snap off, leaving rows of small stubs. These stubs are reinforced over the seasons to form a thorn like defense. This pattern of the branch arching, growing and branching out repeats every season resulting in the main branch becoming a series of arches that can extend over 10 feet in length (as observed at La Reunion TX).

With each season, new branches sprout from the root ball and grow straight up, using the older branches as support. Once they have cleared the leafy privet canapé, the small side branches begin. The seeds and new leaves will only form on new growth. The long clusters of hard round seeds tend to be located on the farthest tips of the branches where they can be seen by animals and whipped about in the wind.

Cutting a branch usually results in a growth spurt around the stump and along the branch. Cutting a branch at the base of the plant tends to multiple the amount of new branches sprouting up from the root ball.

New sprouting seeds

Cutting all the branches down to the base allows sun light to reach the unsprouted seeds, this combined with a little rain water will activate all the seeds.

Spreading the Seed

Frass, Droppings, Spore, Poop... What ever you call it, this is a big stinking pile of privet seeds.

One privet bush can produce thousands of seeds every year. These hard round black seeds have a multitude of ways of finding fertile ground. First is the structural nature of the bush itself. It grows in long arching branches that sprout from a central root ball. These branches drop seeds away from the root ball onto new open ground. The branches are also very wiry so in high winds they can act like whips to fling seeds further a field. Due to the small round shape of the seeds, they are easily washed into storm drains and creeks, this being probably the most common form of seeding in urban areas. Birds and some animals can eat the seeds, which are resistant to the acids in the digestive system, so they are excreted later in perfect condition to sprout in new locations.

Please note that privet seeds are slightly poisonous to humans, but they will kill a horse if eatten them.

Art Statement for SculpCAD Rapid Artists program

With access to the Rapid Cad technology and its incredible array of tools and casting mediums, I instantly had visions of producing my very own version of the “Homer”, a car designed by Homer Simpson that was so outlandishly stuffed with add-ons that it caused the finial collapse of Powell Motors.

So, with that in mind, I have tried to focus on learning how the Rapid Cad program works, and how to blind this technology with my own artistic direction, resulting in a sculpture that breaks new ground and makes historical sense. I have of course spent a lot of time just playing; this program seems to encourage that sort of “what if I do this” activity. In the end I have slipped the Rapid Cad into my normal creative process, which begins with lots of drawing on paper, those are then reprocessed and reprocessed to create a composite drawing “Chicken Neck Johnson”. This drawing is scanned onto the Rapid Cad desktop, where it is fleshed out, manipulated, and reprocessed. The resulting 18” X 18” X 6” sculpture is a composite of shapes that I love working with, plus a humorous animal reference, which I credit to the playful, toy making aspects of the Rapid Cad program.

The sculpture is made from an almost transparent red plastic. The Rapid Cad program has allowed me to shell the sculpture so that it is hollow and very light. The walls vary in thickness, which causes the red color to become more intense in the areas where the plastic is thicker and almost water clear where the walls are thinner. The shelling process has also allowed me to create a bottom heavy counter balance, which allows the neck and head to be extend in an giraffe like appearance with an almost transparent head.

The Privet Sculpture Project: Cutting Research

This is the edge of a native grass field that has never been plowed. It is slowly being overrun but a tidal wave of privet.

Anne Albagli and I went out to La Reunion Tx today. It was again damp, muddy and slick, but after whacking away at privet for an hour, the cold damp didn't feel so bad.

I brought along a cornucopia of saws, hedge clippers, and hatchets to test out. Branch trimmers work the best for anything smaller than an inch in diameter. Bigger than that you need a pull saw. Those come in lots of shapes and teeth counts. Lots of teeth seem to work the best. The privet is to wiggly for a standard push saw or an axe to efficiently cut lots of privet. I did notice areas where people had used a chainsaw. Agin the wiggliness of the branches resulted in heavily splinter stumps.

Make Space: Installation meet up at La Reunion TX

Old road almost swallowed up by privet

A good portion of the artists for this years Make Space: Installation met up at La Reunion Tx to scout out locations and inspirations for their installation projects. It was thick with slippery mud but other wise a very nice day.

Sarah Jane introduced me to Shreyas Krishnan, who describes himself as an ecologist with an interest in how invasive plants effect the natural evolution of amphibians and retiles. Of course I was very happy to hear about the invasive plant interest. I am hoping to include some of his knowledge in the documentation on the Privet Sculpture Project.

Two of the other artists, Anne Albagli and Nicle Cullum Horn are using privet in some form in their installations, so I'll be posting about some of their experiences here, too.

SculptCAD Rapid Artists role call

Here are the links to the artists that are involved in the SculpCAD Rapid Artist Program being sponsored by SculpCAD. Nancy selected a group of artists that work in a wide range of styles, mediums and disciplines to see what artists would do with a 3-D computer sculpting tool that is normally used by draftsmen to design medical implants and consumer good like tennis shoes.

• Brad Ford Smith
  
• Dave VanNess
  
• Jay Sullivan
  
• Erica Larkin
  
• Heather Ezell
  
• Ginger Fox
  
• Heather Gorham
  
• Katherine Batiste
  
• Mark Grote
  
• Shawn Smith
  
• Tom Lauerman
  
• Bert Scherbarth
  
• Nancy Hairston
  
• Shane Pennington

More Local Privet Problems

Seems like as soon as I submitted my Privet Sculpture proposal to La Reunion privet started coming out of my ears.

Lots of people like Shreyas Krishnan and organizations like the Texas Master Naturalists are very passionate about privet. Shreyas sent in this link to an article in the Dallas Morning News about the problems of removing privet from the Great Trinity Forest, (video by Scott Miller) Texas Invasives.org is actually creating a map that tracks the spread of privet across Texas.

A Duck made in the world of SculptCad

We had our first SculptCad Rapid Artists meeting today. We all introduced ourselves and commented on how our first tutorial projects were going, Note the duck pictured above. I'll post the links to all the participating artists in the next post.