Admittedly these aren't the best photos, and the carpit does fight for your attention, but I think you can see that each work of art reflects a different approach to the project.
Monday, May 24, 2010
SculptCAD Rapid Artists exhibit at the RAPID 2010 Conference
Here are a few quick photos of the SCRA exhibit at the RAPID 2010 Conference. Nancy Hairston installed the show and then she and David VanNess gave a presentation about the SCRA project.
Admittedly these aren't the best photos, and the carpit does fight for your attention, but I think you can see that each work of art reflects a different approach to the project.
Admittedly these aren't the best photos, and the carpit does fight for your attention, but I think you can see that each work of art reflects a different approach to the project.
Thursday, May 13, 2010
SculptCAD Rapid Artists Project, After the Flocking
These are two finished rapid prototyped sculptures nestled together. They were created using a 3D computer sculpting program. That file was then sent to a rapid prototype company where they were printed in a clear resin.
Back in the studio, I painted them with black lacquer and then flocked them with black flock (see previous postings). Each sculpture stands 10" X 11" X 9".
This is the view front the top.
And this view demonstrates how the black flocking absorbs the light, causing the sculpture to loose depth and become an abstract flat graphic. I really find this to be intriguing, and will probably explore this in more in other sculptures. You can see more photos on my Flicker site.
Back in the studio, I painted them with black lacquer and then flocked them with black flock (see previous postings). Each sculpture stands 10" X 11" X 9".
This is the view front the top.
And this view demonstrates how the black flocking absorbs the light, causing the sculpture to loose depth and become an abstract flat graphic. I really find this to be intriguing, and will probably explore this in more in other sculptures. You can see more photos on my Flicker site.
Wednesday, May 12, 2010
Spending Time with the Flocker
As stated in a previous posting, my sculpture for the SculptCAD Rapid Artist project had some issues with the surface clarity. So after considering various options I decided on black flocking. This of course changes the visual impact, but it still retains some of the depth distortion that a clear plastic would have. It also changes it from a feel of blown glass to soft and fleshy.
I did a small project using flock a few weeks ago, but this is the first time I have done anything this big. I first tried using the adhesive that Fowl Flocker sent me, which turned out to be a low quality acrylic paint that dried so quickly it was not usable on anything larger than a duck head. So I switched to Don Jer Suede-Tex adhesive. This worked much better. Thankfully I have 3 sculptures to work with. By the time I got to the last one I was getting pretty good results. I was also covered in flocking.
Sunday, May 9, 2010
Curing the Surfaces
I now have three rapid prototype prints of my sculpture for the SculptCAD Rapid Artists Project. Even though they are printed, they are far from finished.
To start with, there are a few issues with the material they are printed with. The surfaces are sticky, and the sculptures which should be hollow, are filled with uncured liquid printing resin. I think the drain holes were not large enough, so the liquid could not run out before it started to congeal. The original design was counter balanced to allow for the extended neck, but since they are now more or less solid I have had to cut into the heads and remove the congealed printing resin and then patch them.
After clearing the surfaces with denatured alcohol, the sculptures spent 24 hours under UV lamps to speed up the curing of the resin inside and out (see photo). Unfortunately this process cause the resin to change color. When combined with the bubbles and patches, I don't think I have any option other than to paint them. I am thinking black flock.
Posted on Brad Ford Smith Blogspot
Tuesday, May 4, 2010
5X7 Art Splurge 2010 at Arthouse
Over the last few years formate themed shows ie: 8X12, 12X12, 20 X20... have become very common, but the Arthouse was one if not the first venue to use this theme, and if you have ever been to one of their 5X7 fundraisers you know that they have it down to a science.
White lacquer, black flocking, Persian blue acrylic
This will be my 9th year to be participate. Sadly I can't attend the Austin event on May 13th, so I'll have to wait until it rolls into Dallas.
Posted on Brad Ford Smith Blogspot
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