PBF.05: Fare Thee Well My Sweet Buttercup

Originally I posted my cartoon without an explanation, thinking it pretty clearly illustrates a tongue and accompanying taste buds being left behind on the dock.

I drew it while getting juiced up at the Glow Factory.  My fellow glow worms and technicians all found it worthy of a chuckle. 

Once posted here however, it caused a lot of head scratching, emails about the etiquette of disease, and even lead a few people to drop their subscriptions to the BFS Blog. 

So to clarify and prevent any more cartooned based rumpus, I have prepared the following caption:

"With the ability to taste only kerosene and styrofoam, I have decided to leave my taste buds on dry dock.

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PBF .04: One Word Says It All

Originally I was going to create a photo montage of all the fantastic dishes, dinners, and desserts that have been devoured in the name of Project Bear Fat. The montage would have been a very LARGE montage. PBF has developed into a kind of moving banquet, a non-stop Thanksgiving feast. Friends and family coming together to enjoy good food and conversations, raising glasses, diving in for second and third helpings. A fridge filled with heat and eat TLC.

Now for the stats: Two weeks of PBF has resulted in 5 additional pounds of bear fat. Granted I feel like I have put on a good 10LBs. But, 5 pounds, when you think about it is pretty damn good. Pants are tight, moving in the right direction without causing my heart to explode. 

With all the ads for diet pills and low calorie snacks, it may sound un-American to say that it would be a real health issue if putting weight on was fast and easy.

A BIG THANK YOU to all the PBF supporters. You are Shadalicious. That is, you have all helped to take something not so pleasant, such as small stinky fish and turn it into something special.

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Project Bear Fat .03: A Cascade Of Sweat

The Project Bear Fat not only encompasses the consumption of lots of tasty food, it also incorporates various methods of reawakening long dormant muscles, therefore I am now a legitimate member of the Tom Landry Fitness Center.

This week I attended my very first Yoga class. The room was darkly subdued, there were soft mats scattered across the floor, and there was the sound of flutes coming from the CD player. The instructor suggested I remove my shoes and socks, and then quietly escorted me to a mat. I innocently confessed that I have seen pictures of people doing yoga, but had never personally done this sort of thing before.

With a smile she turned to the class and suggested that we take our places and curl up into a ball. I thought to myself, Well now, this is the kind of exercises a bear could do all day.

From there we went into the Downward Dog position, which turned out to be the gate way into a host of agonizing poses that caused fountains of sweat to cascade from every pour of my skin. As I tried not to laugh out loud at the burning pain generated from my overtaxed underutilized muscles, I thought, This is definitely NOT the natural habitat for a bear.

Next week I think I'll switch to jazzercize or perhaps one of the over 65 classes.

To follow further Project Bear Fat developments, and receive other fresh off the key board ramblings delivered direct to your email sign up at www.BradFSmith.blogspot.com.

New Face To An Old Website

I am VERY, VERY, VERY happy to announce the launch of my new website!

www.BradFordSmith.us features my artwork AND it looking really great! There are still some tweaks and blank spots to fill, but it looks so clean and it's so easy to manipulate.

A BIG THANK YOU to all the people that responded to my many inquiries about their websites.


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Project Bear Fat .02

Project Bear Fat is off to a great start, 3 pounds in just the first week. One of the highlights was a lasagna handmade by my friend Heather. The before baking photo shows the snowcap of savory cheese and one of the red bell pepper hearts that covered the surface.

I was going to take a photo of it after baking, all golden brown, but the aroma was so compelling that I simple forgot about anything other than serving it up. Later, after a third serving, I really couldn't do anything other than stair into space like a contented cat.


To follow further Project Bear Fat developments, and receive fresh off the key board ramblings delivered direct to your email go to www.BradFSmith.blogspot.com.

Project Bear Fat .01

Project Bear Fat was created upon the advice from a person of clout and persuasion. Project Bear Fat is all about eating, a thing that I enjoy doing several times a day, but, Project Bear Fat takes the consumption of food to the level of actually putting on and maintaining some serious weight.

Of course my first impulse was to gobble down a few boxes of cookies, eat ice cream after every meal, and switch over to eating peanut butter, jelly and banana sandwiches for breakfast. But sugar based fattening is not what I am necessarily after here.

Project Bear Fat is a bulking project that needs to come mostly from savory dishes high in protein. This means I will be eating a lot more meat than my flexitarian diet usually includes, and just to make Project Bear Fat harder, I am working out at the gym three days a week in order to re-awakening some of those mussels that have been asleep for several years.

Fortunately I am surrounded by family and friends who are exceptional cooks, and who all have special dishes guarantied to turn event the most scrawniest toothpick into a substantial red wood. To each of you, I savor every bite and the love there in.

Shifting Ambitions

The photo of the migrating Grackles is there just so you will have something of interest to look at while I test the Blogspot connection on this newly migrated blog.

Recently, some of you received one massive email blog post that included every blog post I have done in the last 5 years. This was not an ambitious posting on my part, but rather it turns out Feedburner wouldn't let go of that old nasty Wordpress blog without sending out one massive blog post.

I am so glad to be unhooked from that managerial mess!

Now, onward to rambling on and on about art, oddities and misguided insights...

Simplicity Is The Order Of The Day

It's been a bit of work to get to the point where I decided that the bells and whistles offered by Wordpress were only making everything harder. (Note that I am writing this post on Blogspot)

As an artist all I require is the virtual equivalent of a white box gallery. Clean simple pages that focus on the artwork with a bit of room for description... Also a simple blog page.

So, with that in mind I have been searching for a fine art web host. There are a lot out there, but have you seen them? Most are trash. Most are over hyped crap that require you to crop your artwork to fit their templets!!! WHAT!!!

Simplicity...

I did come up with a few sites that are very nice. From those I choose Icompendium. Simple, clean, and RESPONSIVE.

So, please excuse the blips and burps that are sure to follow as I dismantle myself from Wordpress AKA: Time Sucker Extraordinar.

Debbie Ballard: Alter Ego at the Valley House Gallery

I went to the exhibit Debbie Ballard: Alter Ego (Resent Sculpture) at the Valley House Gallery expecting to see resent work based around some sort of alter ego narrative. Turns out, this show is not about an alter ego, or resent work. Instead, it's a straight forward survey of an accomplished sculptor's creative path over the last ten years. A sculptor who's works of art quietly depict those moments when interior thoughts become illustrated in the body's posture.

Sure, depictions of rage and anger are easy, that's not what Debbie is doing here. These figures are caught in those spaces where the outer world dissolves, as thoughts begin to fold back upon themselves. These figures sit, stand and sometimes congregate in poses that reflect a certain amount of self absorbed melancholia.

Yes, these sculptures do tap into my secret fondness for the Pre-Raphaelites, except here, Debbie has stripped them of all the flowers, tapestries and silken hair. What remains is very moody and modern.

The Vallie House has done a wonderful job of curating this show. The newest works are found in the main gallery space, along with some really wonderful drawings and sculpture studies. There a dozen more sculptures scattered throughout the 6 acre, heavily wooded sculpture garden. These works range from 1993 - 2012.

All combined, this exhibition is a wonderful and unique opportunity to see an artist develop. And to see a clear illustration of an artist thinking, reasoning and quietly showing the world who she is.

Texas Museum Conferance Awash In Tepid Waters

Each year the Texas Association of Museums conference (TAM) has an official theme, this year it was Navigating the Raising Waters of Change. And then there is the theme that develops as the attendees converse.  Last year it was "Yes, Our budgets and staff have been cut back, but we are optimistic about finding new ways to deal with it".  (TAM post 2011)

As the 2012 Texas Association of Museum conference in San Antonio progressed, it became clear that those strong hearted souls from 2011 were feeling the toll of yet more cut backs, lay offs and reduced funding.

For some reason beyond my comprehension. Texas supports the elimination of all funding for the arts. Texas supports deep cuts in funding of public education and public programs. Texas also supports reducing the taxable write off of donations.

Eliminating funding for the arts will not only get rid of that non-profit museum down the street that only shows conceptual installations involving string and hot glue, it will also close the doors of the hundreds  historic museums in small towns across Texas.

With the cut backs in art funding, most museums, big and small, have turned to developing their educational departments as a way to make ends meet. Now, with education funding under the gun, museums, libraries, community centers and historic sites are wondering where to turn next...

Perhaps the community! Perhaps they can fill that financial gap with donations?!  Unfortunately the taxable write off for donations made to non-profits has been reduced yet again. This reduction has persuaded the community to hold off on giving away their hard earned money.

Last Option: Raise the ticket price for admission.


Result: The community cries foul! This museum is an elitist institution that thinks its to good for people like me!!! So the doors shut.

Fortunately, most art museums are high security structures that can easily be converted into prisons. With all the cuts in education and public programing, we'll be needing a lot of those real soon.

Talking About Art Conservation at the TAM Conferance

The Texas Association of Museum (TAM) conference starts on Tuesday. This year the 5 day conference is being held down by the River Walk in San Antonio.

I'll be part of the NTAAC session Conservation Roundtable. There will be 5 art conservators sitting at 5 roundtables. Each conservator will be addressing questions that pertains to their field of expertise:

Paper- Tish Brewer - the Center for Art Conservation, Dallas TX
Paintings- Anne Zanikos - Anne Zanikos Art Conservation, San Antonio TX
Textiles- Melanie Sanford - Textile Preservation Services of Texas, Dallas TX
Photographs- Corinne Dune - DBA Photogragh and Paper Conservation Services, San Marcos TX
Furniture- Brad Ford Smith - Studio Six Art Conservation, Dallas TX

Very excited to be on the panel with this group of art conservators.

Drawing A Few Good Books

While teaching the Drawing Fundamentals class at CAC I used several books to help demonstrate the various elements of drawing. Since then a few people have asked for a list of those books, so here they are.

The War of Art, Steven Pressfield
Drawing On The Right Side Of The Brain, Betty Edwards
Cezanne and Pissarro Pioneering Modern Painting,  Joachim Pissarro
Cezanne In The Studio Still Life In Watercolors, Carol Armstrong
The Paintings Of Jakuchu, Money L. Hickman
Impressionist And The City Pissarro's Series Paintings, Richard R. Brettell
Vincent van Gogh Drawings and Watercolors, DMA publication 1967
An American Pulse: Lithographs of George Wesley Bellows, San Diego Museum of Art publication 1999
The Art Of Drawing, Bernard Chaet
American Drawing The 20th Centery, Paul Cummings
Daumier 1808-1879, National Gallery Of Canada publication 1999
Matisse Drawings and Sculpture, Prestel

Drawing The Pieces Together

Raku Kilns at the Creative Arts Center

For six weeks we have been focusing on drawing by breaking the practice of drawing down to it's basic elements; contour line, mass, mark making, negative space, relationships, gesture and composition.

For this last class of Drawing Fundamentals, we are taking all those elements and applying them to a larger scale view. This shifting from still life to landscape tends to bring about a regression of drawing skills, but all the drawing elements apply in the same way. The objects in the landscape are the same as the fruit in the still life. Apply the elements to flatten your view of the world, all the objects will become a flat pattern which is transferred onto the page like pieces of a jigsaw puzzle.

Ceramic Class Room

Of course the trick is to stop thinking in 3D. You know the bucket is round, but in a drawing its a rectangle with curved ends.

When drawing landscapes you do need to acknowledgment the horizon line. The line that marks the separation of seeing the tops of objects and seeing the bottoms of objects. In the drawing of the Ceramic Class Room, you can see the tops of the buckets on the floor, but you can't see the tops of the objects on the top shelf.

This horizon line is your grounding straight line. All lines angle off of this line. Angling more as you look higher up or lower down. It tells you what the angle of perspective should be for all the other flat shapes.

Sorry, that's probably more confusing than it is enlightening. That's the nature of perspective. You just have to be there and do it to understand it.

Anyway, This was the last day of class and my last day to teach Drawing Fundaments. A Big Thank you to the Creative Arts Center for this opportunity to fill in while the instructor was recuperating. I really enjoyed the experience of getting back to the fundaments of drawing.

Next week: I'll blog about something new.

Scribbling The Night Away

For this Class on Drawing Fundaments I began by show examples of famous scribblers from the past; Matisse, Cezanne, and yes, Daumier. You might not know it, but Honore' Daumier is a fantastic scribbler. All of these artists drew with speed and passion, never letting the fear of getting it wrong slow them down.

The scribble allows you to react and respond to the subject intuitively. You make decisions about composition before you have had time to think about composition. The scribble involves your whole body, not just your fingers.

So, tonight, working from one large still life, we drew like devils. Starting out with several one minute drawings, then 2 minutes drawings, then 5 minutes, and finally finishing the night with a 30 minute drawing. Here's a montage from the class.

Next week- Pain Air Perspective.

Filming At LRTX With Mark Birnbaum

I spent a crisp Sunday morning at La Reunion TX with the filmmaker Mark Birnbaum. You might recall previous posting about his videos on this blog.

He was there shooting footage for a short film that will highlight the natural setting of LRTX.

And how the artwork is integrated into the landscape. I was there to mostly carry his tripod, but also to take advantage of this opportunity to learn more about the art of filmmaking.

Panning the horizon, the sun cut beautiful blue holes in the cloud cover turning the dry prairie grass into a field of shifting gold.

Back at the studio, with the raw footage downloaded into one of the dozen backup hard drives, Mark cuts and splices the best of the footage and sound recordings, then adds a few lines of text. We watch the results over hot cups of coffee and homemade oatmeal cookies. The video will be posted on the LRTX website soon, I'll let you all know when that happens.

First Steps To A Wall Installation

Here's a quick snapshot of a wall installation in the mud and plaster stage.

My sketchbook is getting filled with drawings of elongated forms that often have knobs, forks, and horns. I am turning some of these into small ceramic sculptures that will eventually be installed as a random scattering on a wall.

In the photo above, in the bottom left corner is an oil clay model on a 5"X 7" MDF panel. The white block next to it is a plaster mold cast from one of the oil clay models. Above that, to the left is a plaster mold filled with clay. Next, shows the extra clay cleared away from the mold surface. On the blue board are the clay sculptures after being removed from the molds. 

From here the sculptures go into the kiln to be bisque fired, then glazed, and then high fired. The ones that survive this torturous trial will become part of a large wall installation.

The Dark Side Of Mass

In tonight's class on Drawing Fundamentals we focused on describing mass, volume and shadow. Starting with a simple still life of fruit laid out on the table under a bright spot light, we drew quick sketches to get our eyes adjusted to seeing the subtle changes in shadow and high light. Then moved on to a few longer drawings.

To push the eyeball exercises a bit further, we switched over to drawing with white pencils on black paper. This switch means that you are now drawing the high lights instead of the shadows. Your marks relate to the brightness hitting the surface. We did two of these, and with all the groaning/conversation they took longer than expected. Seeing the light is much harder than following the dark.

Our long draw for the night was only about 20 minutes. It consisted of all white objects, related to the human head, and lined up against a white wall. The spot light accented the mass and the positive and negative shapes. Even though the drawing above is not finished, notice how your eye falls into that black void.

Next week, it's time to get down and scribble.

Building A Vocabulary Of Mark Making

A common issue faced when drawing from life is the frustration cause by a lack of a mark making vocabulary.

Drawing is the language of describing the 3 diminutional world on a flat sheet of paper, and doing it without the use of letters or words. Drawing uses marks, scribbles, dashes, smears... hundreds of variations. If you approach a drawing with only the mark making language used in hand writing, your drawing will reflect that lack of knowledge. It's like reading Moby Dick at only a Dick and Jane reading level.

So, tonight's Drawing Fundamentals class focused on building a vocabulary. We started by copying a few Chinese landscape drawings, which are loaded with mark making variations. In the drawing above, you can see that Clayton is exploring how to reproduce those marks.

We then moved on to drawing from a still life. Clayton is now using his pencil to a much fuller extent. Creating marks that describe light, texture, weight, and volume. These variations are the nouns, verbs, and adjectives that create visual poetry.

Next week we will be exploring the Darker Side Of Mass.

Tin Time In The Studio

There's a strange winter garden growing in the studio. A catfood can garden.

After burning away hours/months on my Wordpress website, I've decided that my humble Blogspot blog is really very nice, and that I should drop the mantra Right after the website is up, and just get back to blogging.

Negative Space In The Drawing Class

When drawing from life, it's just as important to see what is NOT there as it is to see what is there. So, in tonight's drawing class we focused on Negative Space. Those spaces between the things we normally think of as the objects that fill our world.

We all know what a chair looks like. You can probably picture one clearly in our minds eye. But, unless you develop the ability to see the negative spaces between the legs and runners, you will always struggle with drawing from life, because you are only looking at half the story.

In Kevin's drawing above, you can see how his focus on the spaces between the chair legs transforms the drawing, turning the chair into an empty void.

This seeing technique flattens the world into 2 dimension, which makes it easier to capture the relationships of ALL the elements in front of you. These relationships; positive and negative, are the building blocks for the construction a solid pictorial composition.

Next week, we explore making marks.

Walking With Ants At The Creative Arts Center

In each of the Drawing Fundamentals classes I focus on one element of drawing. In this second class, it's Contour Line drawing. This, the most common type of drawing, focuses on the outline of an object. So when drawing an apple, you end up with basically a wobbly circle. When drawing a lemon, you end up with basically a wobbly circle. When drawing a pear, you end up with basically a lopsided wobbly circle.

This generalization of course fits right into the brain's massive backlog of symbols, which in turn means that instead of really looking at THE apple, your brain simply projects the symbol of an apple, basically a wobbly circle.

Think about an apple, one with a bite taken out of it...

Does it look juicy and delicious, or more like the logo of the computer you might be reading this blog on? Which one is clearer to see in your minds eye? For this class we are derailing those backlogged symbols by taking the ant's eye view of the world.

Exercise #1- Blind Contour- Place your paper so you cannot see it while you are drawing. Look at your left hand (your right if you are left handed). Now imagine you are watching an ant crawling slowly along the contours, cracks and creases of your hand. Your pencil is the mechanical recorder of that ant's travels. When the ant goes up, your pencil draws a line upward. When that ant traverse your life line, your pencil continues to record that trail. Do not cheat by looking at your drawing!

Ants are very slow, the recorded path pictured above took 30 minutes. Try it out. Repeat twice. How did that make you feel? Did you sense a shift in your perception? Was it hard to draw so slow? Did you look at your drawing before the time was up?

Other drawing adventures followed, filling our night with undulating, descriptive lines. Next week we'll be looking at the spaces that are not there. Negative Space.

Teaching Drawing at CAC

Very excited to find myself teaching Drawing Fundamentals at the CAC.  Due to a dramatic prequel,  I only had a single day to prepare for the class, so I grabbed my dusty copy of Drawing On The Right Side of The Brain AKA Learn to live like a Dyslexic, and pieced together a rough curriculum. (I'll be fleshing it out this week)

For this first class, I leaned hard on the Left - Right brain theory, believing that the most common problems in learning how to draw is turning off that hyper critical left side so the creative right side can take some risks and start to really see the world around us.

So, a few exercises to derail the left side and feed the right, such as the drawing above. It's a copy of a drawing by Degas. And yes, it is upside down because it was drawn upside down. Doing this allows you to more easily see the lines and shapes as simply lines and shapes, and not as a head, right hand, left hand, buttons, a pocket... all of which the left side already knows what those things look like, so it's going to draw what it knows and not what you are really looking at.

Next week, we'll be looking at blind contour drawing...

PS- And a big Thanks to the CAC for thinking of me when they needed help.

And The Idea Fund Grant Goes To...

This was my second time to apply for an Idea Fund grant. The first was in 2009, as a joint effort with Beam, Plank and Flitch, constructing 6 public wood benches made from urban harvested trees. That one missed because I think the judges thought it was to pedestrian and not art centric enough. Although sense that time Dallas has become over run by urban harvesters.

In 2011, I applied with the Automated Cordycep Project:

The Automated Cordycep Project is about playing with a narrative; it’s about combining sculpture, nature, and science, with a gorilla approach to exposing the public to a sci-fi narrative of near future disaster…

And the prize… went to somebody else. Actually 10 somebody elses. I looked over the list, and can say that on first glance, they all look like solid proposals. Each having a large friendly public component, which I think is where my project might have been lacking. Mine had public interaction, but more on the level of terrorizing large crowds with remote controlled cars infected with a parasitic fungus.

So. I’ll add this to the list of impressive art organizations that I have applied to but have not been accepted by. It is said that if you don’t get rejection notices, you’re not trying hard enough, which I do think is true, although I really do prefer the non-rejection notices.

Wordpress Move Not So Fast

A few months ago I thought it was a good idea to up date my website and blog by combining them into one Wordpress theme. Now, as I look at the calender, I see that I have spent enough time on this simple conversion that I could have white washed the whole ceiling of the Sistine Chapel. AND it's still not up and running. Guess I'll need more paint to do the walls.

Dallas Aurora After Glow

It's been a few days sense the Dallas Aurora event in the Dallas Arts District. People are starting to post images and videos. One of those in by my good friend Mark Birnbaum, who unbeknownst to me shot this great video of my installation. Thanks Mark!

Aurora 2011: A Thing To See And Do

Water Walls Dallas Arboretum

I have felt for a while now that I should be spending less time at the computer. All those hours logged on has left me feeling a bit like a big wooden log. So, it's up early, a balanced breakfast, walkies, perhaps a bit of yard work, and get involved with a few art events to get me out of this damn house!!!

Aurora 2011 is one such event. This year it's being held in the Dallas Arts District. 97 light and sound installations will turn the 19 block area into a night of color. The big power switch will be flipped on this Friday, October 28th at 7:30pm-12:00 midnight. Here's the Art and Seek post.

Fountain Place Park Dallas TX

I missed being part of the Aurora 2010 because I was in Italy, which I enjoyed completely and blogged about maybe a bit to much. That said, I have been waiting all year for the next Aurora event. This time I am in town, busy at my computer spicing together bits of video... So much for getting out of the house, or the walkies, or the balanced breakfast.

White Rock Lake 2 AM

I am producing 2 videos that will be projected onto the west garden wall of the Meyerson Symphony Center. Both videos are about water. One is natural footage of ponds, streams and puddles as seen in the top 2 photos above. The other video uses the same footage and manipulates it by re-filming the clips multiple times to produce color separations and distortions, as seen in these bottom 2 photos.

Modern Art Museum of Fort Worth

This will be my first time to show any of these videos publicly. Very excited about it, and about seeing all the other installations, too!