SculptCAD Rapid Artists exhibit at the RAPID 2010 Conference

Here are a few quick photos of the SCRA exhibit at the RAPID 2010 Conference. Nancy Hairston installed the show and then she and David VanNess gave a presentation about the SCRA project.

Admittedly these aren't the best photos, and the carpit does fight for your attention, but I think you can see that each work of art reflects a different approach to the project.

Bert Scherbarth

Brad Ford Smith

David VanNess

Erica Larkin

Ginger Fox

Heather Gorham

Heather Ezell

Jay Sullivan

Mark Grote

Nancy Hairston

Shane Pennington

Shawn Smith

Tom Luaerman

SculptCAD Rapid Artists Project, After the Flocking

These are two finished rapid prototyped sculptures nestled together. They were created using a 3D computer sculpting program. That file was then sent to a rapid prototype company where they were printed in a clear resin.

Back in the studio, I painted them with black lacquer and then flocked them with black flock (see previous postings). Each sculpture stands 10" X 11" X 9".

This is the view front the top.

And this view demonstrates how the black flocking absorbs the light, causing the sculpture to loose depth and become an abstract flat graphic. I really find this to be intriguing, and will probably explore this in more in other sculptures. You can see more photos on my Flicker site.

Spending Time with the Flocker

As stated in a previous posting, my sculpture for the SculptCAD Rapid Artist project had some issues with the surface clarity. So after considering various options I decided on black flocking. This of course changes the visual impact, but it still retains some of the depth distortion that a clear plastic would have. It also changes it from a feel of blown glass to soft and fleshy. 

I did a small project using flock a few weeks ago, but this is the first time I have done anything this big.  I first tried using the adhesive that Fowl Flocker sent me, which turned out to be a low quality acrylic paint that dried so quickly it was not usable on anything larger than a duck head. So I switched to Don Jer Suede-Tex adhesive. This worked much better.  Thankfully I have 3 sculptures to work with. By the time I got to the last one I was getting pretty good results. I was also covered in flocking.

Curing the Surfaces

I now have three rapid prototype prints of my sculpture for the SculptCAD Rapid Artists Project. Even though they are printed, they are far from finished.

To start with, there are a few issues with the material they are printed with. The surfaces are sticky, and the sculptures which should be hollow, are filled with uncured liquid printing resin. I think the drain holes were not large enough, so the liquid could not run out before it started to congeal. The original design was counter balanced to allow for the extended neck, but since they are now more or less solid I have had to cut into the heads and remove the congealed printing resin and then patch them.

After clearing the surfaces with denatured alcohol, the sculptures spent 24 hours under UV lamps to speed up the curing of the resin inside and out (see photo). Unfortunately this process cause the resin to change color. When combined with the bubbles and patches, I don't think I have any option other than to paint them. I am thinking black flock.

Posted on Brad Ford Smith Blogspot

5X7 Art Splurge 2010 at Arthouse

May 13th makers the 11th annual 5X7 Arthouse fundraiser. This year they have 900 artists who have created at least one work of art that fits into the 5X7" formate. Here is the link to the participating artists, The page also includes links to the artist's websites.

Over the last few years formate themed shows ie: 8X12, 12X12, 20 X20... have become very common, but the Arthouse was one if not the first venue to use this theme, and if you have ever been to one of their 5X7 fundraisers you know that they have it down to a science.

White lacquer, black flocking, Persian blue acrylic

This will be my 9th year to be participate. Sadly I can't attend the Austin event on May 13th, so I'll have to wait until it rolls into Dallas.

Posted on Brad Ford Smith Blogspot 

Fresh From The Printers

SculptCAD held an impromptu open house to display the first round of artwork to come back from the printers. On the wall are 3D computer images by (L-R) Bert Scherarth - Buildings, and Column, Shane Pennington - Tree Top, Brad Ford Smith - Chicken Neck Johnson, 2 more by Bert - Column, Wreath, and Heather Gorham - Rabbit.


The sculptures for the most part were just unpacked, so the artists have not had the opportunity to physically work on them yet. What you are seeing is the equivalent of a cake that has just been pulled out of the oven. They still need to be frosted. (L-R B-F): Erica Larkin - Figurative Busts, Brad Ford Smith - Chicken Neck Johnson, David VanNess - Bull Elk, Katherine Batiste - Robotic Boy, Nancy Hairston - Organic Form, Heather Groham - the 2 Rabbits, Shawn Smith - French Horn Bees, Bert Scherbarth - buildings. 

Posted on Brad Ford Smith Blogspot

David Kirkpatrick finds One Massive 3D Printer

On David Kirkpatrick's wonderful Word Press blog he has been posting a lot about the SculptCAD Rapid Artists Project and about rapid prototyping in general. In his resent post he links to a large scale 3D printer that is used to print buildings.

The Ink is Still Wet

One of the two parts of my 3D computer sculpture has been printed. It is still a bit sticky because the resin hasn't cured yet. It stands 10" X 10" X 6". The two parts will intertwine. 

Over all I am surprised how much it looks like the 3D computer model. It is in no way a finished  sculpture yet. There are some issues to work on, for one, it is suppose to be hollow but I made the drain holes on the bottom to small so the liquid resin stared to set up before it could all drain out.

As you can see in this detailed photo there are air bubbles in the front legs. To solve this we are going to reprint them as solid clear resin. This will remove the blown glass quality of the sculpture, but the dead line for the SculptCAD Rapid Artists project is to close to reengineer it. 

SculptCAd Rapid Artists hit the Media

Ginger Fox Bird on a Branch

Last week Jerome Weeks from KERA Art & Seek stopped by SculptCAD to see what the SculptCAD Rapid Artists program was all about. He talked with the director Nancy Hairston and 5 of the artists; Heather Gorham, Shane Pennington, David VanNess, Ginger Fox, and myself. A few days later he meet up with Nancy and Ginger Fox at the Rapid Prototyping Lab at SMU to see what it looks to print something using the 3D rapid prototyping process.

All of Jerome's work has resulted in a report broad cast on KERA's Morning Edition and All Things Considered. Plus a posting on the KERA Art & Seek website, plus a Youtube video of the Rapid Prototype Lab.

Sending My Sculpture to the Printers

With a little help from the staff at SculptCAD, I shelled (hollowed out) my sculpture, sized it (10" X 12" X 8") and sent it of to be printed at a rapid prototype lab. The clear plastic sculpture should be printed and back at SculptCAD by Tuesday of next week. A pretty quick turn around on a sculpture that has taken me months to learn how to build.

I am expecting it will look a little bit different in the real world from the 3 D computer model. That is always the case when you convert one material into another: Wax to bronze, clay to ceramic, digital imaging into clear plastic.

After the Wednesday delivery, I think there will only be 3 other artist's sculptures left to print, making a total of 15. I can't wait to see them all together.

Posted on Brad Ford Smith Blogspot.

David Kirkpatrick is blogging about the SculptCAD Rapid Artists Project

The freelance writer and journalist David Kirkpatrick has been posting about the SculptCAD Rapid Artists project on his WordPress blog. His blog is very well developed with posts going back to Jan.2008. Topics include Arts, Business, Politics, and Technology. Some of the recent posting are on the topics of Invisibility Cloaks, Google in China, and iPads. There is also a nice list of other blogs and web sites of interest.

Art & Seek drops in to talk with the ScultpCAD Rapid Artists

Shane Pennington talking with Jerome Weeks from KERA/Art & Seek

Reporter Jerome Weeks from KERA/Art & Seek dropped by the SculptCAD studio to talk with some of the artists involved in the SculptCAD Rapid Artists project. He was there for over 2 hours patiently recording the techno geek terminology and the arty babble. Hopefully he got enough intelligent, understanable dialoge to post something on Art & Seek.

On a side note, I think all the artists benefited from having to put into words what they have been doing in the world of 3D computer modeling.

The Twisted world of 3D sculpting

This opportunity to work with the SculptCAD Radip Artists has been great. I am really getting comfortable using the few tools that I have chosen to focus on, and not hitting myself over the head for not knowing more about ALL the tools at hand. When I see people like Nancy Hairston or Heather Gorham work with this program, they just pull out tools, whip them around and wallah! It makes me yearn to have more time to play, but the Drop Dead due date for sending our sculptures to the printer is April 14th.

Developing a feel for the 3D world

In the real world, your clay never just disappears. But in the 3 D computer world, your hard work can just simply vanish, which is what happened today. Of the 3 hours I put into my project, I only have about 15 minutes of work to show for it. GRRR!

On the other hand my feel for using the sculpting tool is starting to feel much more like reallish sculpting.

Color Correct Photographic Reproductions

After 4 failed attempts at photographing the drawings in the Book Page Collection, and getting sad color reproduction, I finally found a friend that has one of those top of the line Epson scanners. With in an hour I had all the drawings scanned in beautiful living color. They are now posted on my Flickr page.

It's Worth the Risk Parking

Alison Starr

It was on one of those cold rainy days that we are having so many of, when I turned the corner and saw the sign for Mokah Coffee Bar and Mokah Art Gallery. Cold, wet, needing hot coffee and a good dose of art I ambled inside.

No Parking Any Time is the title of the group show that is up through March 6th. Kathy Lova, Alison Starr and Du Chau have filled this surprisingly will put together gallery space with sculptures and wall installations that are derived from found objects.

Du Chau

Each artists is working with a source material that is commonly found in our everyday environment, such as sticks, stuffed animals or plastic shopping bags. These base materials have been transformed through various processes to become something new but still recognizable.

Kathy Lovas

This juxtaposition creates a wide variety of tactile sensations and narratives. Du Chau's porcelain tree branches convey nature's beauty and it's fragileness. Kathy Lovas' plastic rapped bunnies expose the scary interior of what we consider to be cute and cuddly. Alison Starr uses her sewing skills to transform pounds of plastic shopping bags into beautiful icons of mass consumerism.

So even though the card says No Parking Any Time, ignore that. Grab a hot cup of Joe and spend some time in the gallery.

Make Space: Installation/Open House at La Reunion TX 2010

Brad Ford Smith

It was a beautiful blue sky, puffy cloud day, perfect for the Make Space: installation event at La Reunion TX. I got up there early to do a few finishing bits to my sculpture and clean up around the site. Then I spent the rest of the day talking to people, petting dogs, and enjoying the sun shine.

Below are photos of some of the sculptures made by the other artists for this years event. If the names are high lighted they link to the artist's web site.

Anne Albagli

David Blood and Oliver Bradley

Scott Horn

Nicole Horn

Kevin Obregon

Unfortunately I did not get a photo of Sandra Groomer's installation, but there should be some posted at the La Reunion TX site soon.

Privet Sculpture Project Construction Day 3

All the arches are in place, 12 in all, spanning 40 feet. Sadly, the photographs really don't capture it very well at all.

I'll be out there early on Saturday, Open House 2-4 to add a few elements around the main arch.

These are the flying buttresses that were added for stability. The privet when freshly cut is very bendable. Only a few branches broke during construction. As the wood dries is becomes harder and more apt to brake and split. Over all the structure is very stable. I am expecting the wood to weather very well over it's year long existence. The bailing wire might be an issue with rust, so I'll beef that up on Saturday.

Privet Sculpture Project Construction Day 2

Despite the cold and rain, things are progressing. 4 1/2 of the 7 arches are in place. They need to be tweaked and fattened up a bit. I am also adding some side arches at the gate opening for stability.

The bundles are tied together with bailing wire, which was donated to the project by Susan Giller, an artist that is known to create strange bunny people with wire.

Privet does not have stickers in the normal definition of the word. What it has are numerous pointy bits along the branches that are the stubs of old dead twigs. These twigs can be very sharp.

A few days working at SculptCAD

I have been working with the Free Form program for a couple of days now, mostly focusing on making the duck that is part of the tutorial, but I have learned enough to generate this first 3 D model of my sculpture "Chicken Neck Johnson" for the SculptCAD Rapid Artists project. It still needs a lot of work before it is ready to be put through the 3 D printer.

At the End of the First Day of Construction on the Privet Sculpture Project

At the end of the first day of construction I learned that not all privet can be used the same. If the branch has any elbows it won't bend smoothly. The long shoots that grow straight up in one season are ideal for the ridged bundled arches that the PSP requires.

First Stake in the Ground for the Privet Sculpture Project

The structure will be staked to the ground using thick privet branches. It will be interesting to see what condition they are in after a year in the dirt. The dirt at this location is on about 10" deep then you hit lime stone, which is the reason this area is called Chalk Hill. The photo also shows some of the long privet branches that have been harvested to create the arched structure.